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About this product
- Description[T]his fine book ...enlarges our vision of one of the great national cinematic flowerings of the last decade. -Martin Scorsese, from the foreword In the late 1990s, South Korean film and other cultural products, broadly kwn as hallyu (Korean wave), gained unprecedented international popularity. Korean films earned an all-time high of $60.3 million in Japan in 2005, and they outperformed their Hollywood competitors at Korean box offices. In Virtual Hallyu, Kyung Hyun Kim reflects on the precariousness of Korean cinema's success over the past decade. Arguing that state film policies and socioecomic factors cant fully explain cinema's true potentiality, Kim draws on Deleuze's concept of the virtual-according to which past and present and truth and falsehood coexist-to analyze the temporal anxieties and cinematic ironies embedded in screen figures such as a made-in-the-USA aquatic monster (The Host), a postmodern Chosun-era wizard (Jeon Woo-chi), a schizo man-child (Oasis), a weepy North Korean terrorist (Typhoon), a salary man turned vengeful fighting machine (Oldboy), and a sick nationalist (the repatriated colonial-era film Spring of Korean Peninsula). Kim maintains that the full significance of hallyu can only be understood by exposing the implicit and explicit ideologies of protonationalism and capitalism that, along with Korea's ambiguous post-democratization and neoliberalism, are etched against the celluloid surfaces.
- Author BiographyKyung Hyun Kim is Associate Professor of East Asian Languages and Literatures and Director of the Critical Theory Emphasis at the University of California, Irvine. He is the author of The Remasculinization of Korean Cinema, also published by Duke University Press, and a co-producer of the award-winning feature films The Housemaid and Never Forever.
- Author(s)Kyung Hyun Kim
- PublisherDuke University Press
- Date of Publication10/10/2011
- SubjectFilm, TV & Radio
- Place of PublicationNorth Carolina
- Country of PublicationUnited States
- ImprintDuke University Press
- Content Note57 photographs, 3 tables, 6 figures
- Weight363 g
- Width155 mm
- Height231 mm
- Spine18 mm
- Format DetailsTrade paperback (US)
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