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- DescriptionWynn Bullock was one of the most significant photographers of the mid-twentieth century. A close friend of influential West Coast artists Ansel Adams and Edward Weston and a contemporary of Mir White and Frederick Sommer, Bullock created work marked by a distinct interest in experimentation, abstraction, and philosophical exploration. Bullock's photography received early recognition in 1941, when the Los Angeles County Museum of Art staged his first solo exhibition. His mature work appeared in one-man shows at the Bibliotheque nationale de France, Paris; the Royal Photographic Society, London; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago, among other prestigious venues. Bullock's pictures Let There Be Light and Child in Forest have become icons in the history of photography, following their prominent inclusion in Edward Steichen's landmark 1955 exhibition at the Museum of Modern Art, The Family of Man. Wynn Bullock: Revelations offers the most comprehensive assessment of the photographer's extraordinary career in nearly forty years. Produced by the High Museum of Art in partnership with the Center for Creative Photography to accompany a traveling exhibition, this retrospective traces Bullock's evolution from his early experimental work of the 1940s, through the mysterious black-and-white imagery of the 1950s and the color light abstractions of the 1960s, to his late metaphysical photographs of the 1970s. The book presents 110 images, including some from the Bullock estate that have never been published before. An essay by the High's Curator of Photography Brett Abbott explores the nuances of Bullock's approach to photography and its fascinating relationship to the history of science and philosophy. The volume also includes an illustrated chrology, a bibliography, selected collections, an exhibitions history, a plates list, and tes. Despite early acclaim, the true breadth and depth of Bullock's career have remained largely in the shadows. Wynn Bullock: Revelations shines new light on this major photographer.
- Author BiographyA specialist in twentieth-century American photography, Brett Abbott is Keough Family Curator of Photography and Head of Collections at the High Museum of Art in Atlanta, Georgia. He previously worked at the J. Paul Getty Museum, where his exhibitions and companion publications Engaged Observers: Documentary Photography since the Sixties and Edward Weston: Enduring Vision both received the Lucie Award for Curator/Exhibition of the Year.
- Author(s)High Museum of Art
- PublisherUniversity of Texas Press
- Date of Publication28/06/2014
- Place of PublicationAustin, TX
- Country of PublicationUnited States
- ImprintUniversity of Texas Press
- Content Note133 duotones and 12 color illus.
- Weight1758 g
- Width286 mm
- Height288 mm
- Spine25 mm
- Format DetailsWith dust jacket
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