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Reviews (6)
29 March 2016
Does what I need it to in minimum space.
1 of 1 found this helpful I've rebuilt my pedal board many times. When I say pedal board, I do mean board as it is a 2'x1' piece of plywood to which I ziptie my effect pedals on order to speed on stage setup and take down and to keep my pedals somewhat straight and set during transport. I had been using 2 onespot power supplies, one with the 5 way splitter for chorus, overdrive, tremolo, delay, tuner and one separate for a Dunlop Crybaby as it loads any power supply it's on. This arrangement means I've wires everywhere, no expansion and without isolation, plenty of noise.
I knew in ordered to add a much needed preamp for buffering and to simplify my outlet needs an isolated "brick" power supply was the answer. It had to have a small foot print, I don't use 18vdc pedals so 9vdc was all I needed. I needed at least 8 isolated power outlets. I also didn't want to kill my bank account for this.
The Dinosaur did exactly what I needed, no more no less. It is reliable and solidly built which is important when playing at bars and such. The supplied power chords are ample length to route properly around my board. One simple three prong plug it (and a cord that doesn't tangle), a flip of the on switch and everything is ready.
If you are looking at this power supply for your pedal board, you will not be sorry for buying the Dinosaur.
13 March 2019
You need a prime lens and this is the one you want.
5 of 6 found this helpful Everyone who shoots DSLR must have a prime. A 50mm prime used to be the first lens you had in the old SLR days and it teaches you framing, field of depth and other lessons. Your prime lens will help you take the best, most artistic photos ever. It will become your goto for those captures in which you express your soul.
If you own a Canon DSLR and are at the prosumer level/student then this is your prime lens. The USM series are a middle ground between the cheap STM lenses and the uber pro L series. It features fast focus, a 1.4f open aperture for difficult lighting or narrow field of depth, useful bokeh, and crisp images. I pulled of some wonderful shots my first time out on a photo-expedition to the park capturing ducks that did not know the meaning of stand still.
This is an EF Mount and with a crop frame camera, like my Eos 80D, you will need to multiply the aperture setting and focus length by 1.6 to get the actual effective values. You can look up the why but trust me for now. It shouldn't mess with you too much as the metering will guide you accurately. It would be necessary to know if you are going hardcore manual with an external light meter and slave strobes.
It's durable metal casing is what I'm most happy about. My last 50mm was an STM series and though I did get some great portraits with it, it lacked the strength to survive. I shoot music festivals and occasionally I find myself in the mosh pit. This is a durability test for your equipment (as well as your knees). You just put it on burst/auto/sports and resign your soul to whatever god you worship. I kid. Most of the people in those pits are cool and will watch out for you. None the less, that is where me, my durable Canon Eos 80D, my arthritic knees, and my new 50MM 1.4f USM are going to end up. I have faith that this rig will not only be a survivor but a producer of fine work.
08 November 2017
Multi-use and sturdy.
I bought it to hold a small recorder while clipped to my microphone but I've used it for multiple purposes. It's very handy. I'm getting few more to keep around.