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Personnel: Emmylou Harris (vocals, spoken vocals, guitar, background vocals); Jedd Hughes (vocals, guitar, mandolin, background vocals); John Prine (spoken vocals); Will Kimbrough (guitar, electric guitar, background vocals); Pat Buchanan (guitar, harmonica, background vocals); Jerry McPherson, Richard Bennett, Steuart Smith, J.T. Corenflos (guitar); Steve Fischell (steel guitar); Randy Scruggs (flamenco guitar); Jonathan Yudkin (fiddle); John Mock (tin whistle, concertina); Jim Horn (saxophone); John Hobbs, Tony Harrell (organ, keyboards); Billy Livsey (organ); Greg Morrow, Trey Landrey, Eddie Bayers, Shannon Forrest, Chad Cromwell (drums); Chris Rodriguez, Crystal Taliefero, Brodie Jenkins, Kacie Jenkins, William Owsley III, J.D. Souther, Randall Waller, John Cowan, Julie Miller, Beth Nielsen Chapman, Kim Fleming, Marcia Ramirez, Vince Santoro, Buddy Miller (background vocals). Audio Mixer: Peter Coleman. Recording information: Flea Roy's House Of No Low End; Treasure Isle Studio, Berry Hill, TN. Photographer: Thomas Petillo. Singer-songwriter Rodney Crowell's literate, introspective lyrics and his musical mix of country, rock, and folk continues to develop and deepen on this 2005 release. Whereas 2003's FATE'S RIGHT HAND leaned toward rootsy-but-modern country, THE OUTSIDER turns up the guitars, as the amped-up opener, "Say You Love Me," indicates, and the slinky, thumping title track confirms. But even while Crowell adds muscle to his sound, his pen is still mightier, and THE OUTSIDER is filled with clever turns of phrase, satiric barbs, and vivid imagery. The fact that Crowell covers a Bob Dylan song here (a lovely take on "Shelter from the Storm," rendered as a duet with Emmylou Harris) is not coincidental. The influence of Dylan hangs heavy in Crowell's songwriting, from his critiques of consumer culture ("The Obscenity Prayer") to his moments of personal revelation ("Beautiful Despair"). Help from luminaries like Harris, John Prine, and Buddy and Julie Miller help round out the sound of the THE OUTSIDER, another fine addition to Crowell's increasingly impressive catalogue.