Harmonic bases of the flamenco guitar use a universal musical theory. This approach tries to put within the reach of the flamenco guitarist a series of instruments which allow him to boost his creativity without the need to memorise. At the same time it gives the n flamenco guitarist, interested in fusion, access to such a complex music through a basic theory which he already kws. It is t only a book on how to learn to play flamenco mechanically but also to understand it. It is for all guitarists, professionals and amateurs. It includes brief tes about the history of harmony and of flamenco, harmonic characteristics of different styles in addition to practical exercises of auto-correction. It is the ideal complement to all other available methods of learning the flamenco guitar is available. The student will benefit immediately from this book without having to consult complicated books on classic harmony or jazz. On reading it he will be able to enter in the passionate world of composition, with little effort and will create his own falsettos along all the neck of the guitar. The didactic contents, as well as its signicant contribution to the theory regarding the Flamenco Guitar have been guaranteed by two of their main references as Paco de Lucia and Enrique de Melchor:Thank you Jose. Flamenco music was feeling the need of having such a book. Paco de LuciaThe book is of great importance because it proves the richness of flamenco regarding music and it allows those people who do t have previous experiences to kw, feel or interpret the Flamenco music to get involved and be introduced in this wonderful music and its variety of styles in an appropriate manner, Enrique de Melchor.