Architecture Art Drawings

Studies of the human body and the architecture done in pencil on acid free paper. Size: A4 21 x 29.7 cm150 gsm.

It is signed lower right, and dated 1978. It shows a pencil Drawing of a Modern Church and the grounds around it. I do not know the location. It would make an Ideal Addition to any Good Collection of Fine Original AUSTRALIAN Art.

Original Drawing: signed by the artist~~~Joe Capozio~~~. Image Size: 17x23cm, e. <2>No pick-up services.

Profesionally framed architectural print. 86/500 from Archives Authority of NSW. Proposed Hotel @ Ross and Wigram St, Forest Lodge. 1887. In great condition. Framed size approx 31in x 23in. Please plan pick up from Bellevue Hill, Sydney.

Subject : Shakespeares House; Stratford-on-Avon.

Taormina,Albargo S.Dominico 1943 Otfried Scherer. This painting was done in 1943. on the bottom of the painting is the following.

Artist: J. Laby Bosher. All images of the actual item for sale and are photographed under natural lighting where possible, and are not digitally doctored.

ANTIQUE / UNKNOWN ARTIST SMALL CONTINENTAL HAND COLOURED ENGRAVING, SIGNED.

This black and white drypoint etching on paper by Australian artist Marco Luccio (2005) is number five in a signed print run of just twenty-five. Remainder of vertical creases still faintly visible at close distance (see photos) but otherwise now in very good condition.

Original Drawing: signed by the artist~~~J F H~~~in 1932. Image Size: 14x8.5cm, still in very good condition for its age, protected by a glass. <2>No pick-up services.

We specialise in English 19th- and early 20th-century works on paper. With combined expertise from working in the fine art trade and for national museums across the UK, we have an interest in researching and bringing lesser-known artists into prominence.

"TINTERN ABBEY". A VIEW OF THE RUINS OF TINTERN ABBEY FROM THE OPPOSITE BANK OF THE RIVER WYE, SHOWING A BOAT ON THE RIVER BANK. (Edinburgh, 1831 - Worthing, 1901). FROM BOTANY NSW. ETCHING MOUNTED ON BOARD.SIGNED IN PENCIL LOWER RIGHT.

A set of five original 19th-century graphite drawings by C. and H. Ward, Rural Scenes. A charming set of five graphite drawings by C. and H. Ward dating from 1877-1892. One drawing is on coloured scratch paper; others have white chalk highlights.

A set of five original 19th-century graphite drawings by C. and H. Ward, Rural Scenes. A charming set of five graphite drawings by C. and H. Ward dating from 1877-1892. One drawing is on coloured scratch paper; others have white chalk highlights.

VERY DETAILED IN ARCHITECTURE OF THE HOUSE. IT IS SIGNED BY THE ARTIST 'A B CALVEY' AND THE YEAR '1968'.

C. Baines - Original 19th Century Graphite Drawing. Signed to the lower right. Surface dirt, creases and surface abrasions. A closed tear to the left hand edge.You can view our full collection of these here.

This drawing forms part of a larger collection of works that we have for sale by Alfred Swaine Taylor, executed during his travels on the Continent 1828-9 and around Scotland and the North of England in 1833.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.

An original 18th-century pen & ink drawing, George Evans Seated Woman and Dog in Village. He also counted amongst his circle the illustrious satirical painter William Hogarth, who commissioned Evans to exhibit his works as part of a fundraiser for the construction of the London Foundling Hospital – a building which Evans also helped to decorate.

An original 19th-century graphite drawing, Elizabeth Hay Tintern Abbey, S Wales. A charming graphite drawing of the Cistercian monastic ruin at Tintern, beloved by Romantic poets and artists such as Wordsworth and Turner.

An original mid-19th-century graphite drawing, M.A. Saunders Ruined Church. Signed verso: 'M. A. Saunders'. Dated on gravestone 1859. A striking graphite drawing, showing a ruined and overgrown church and graveyard.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.

A wonderfully detailed early 19th century graphite drawing of 'Woodham Walter Rectory'. The artist has given the date on the reverse '11th October 1831'. 33B E.M.B. Signed. Size: 10.5 x 16.5cm (4.1" x 6.5").

An antique 19.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.

W. H. Reynolds was a student at Alleyn's School in Dulwich, south London until 1909 and joined the war effort as part of the Lancashire Fusiliers, later he moved to the Royal Engineers, serving as a Lieutenant on the Western Front.