Sarah Vaughan by Roy Haynes Paul Quinichette Sarah Vaughan Herbie Mann (CD, 1955)

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TROUBLE IS A MAN ( ). IM GONNA LAUGH YOU OUT OF MY LIFE( ). WHEN YOUR LOVER HAS GONE ( ). WHAT DO YOU SEE IN HER ( ). AINT NO USE ( ).

About this product

Product Identifiers

Record LabelIntermusic
UPC8436569192665
eBay Product ID (ePID)21050181577

Product Key Features

FormatCD
Release Year1955
InstrumentTrumpet
GenreJazz
ArtistRoy Haynes, Paul Quinichette, Sarah Vaughan, Herbie Mann
Release TitleSarah Vaughan

Additional Product Features

Number of Discs1
Country/Region of ManufactureUSA
Additional informationPersonnel: Sarah Vaughan (vocals); Ernie Wilkins (arranger); Paul Quinichette (tenor saxophone); Clifford Brown (trumpet); Herbie Mann (flute); Jimmy Jomes (piano); Joe Benjamin (bass); Roy Haynes (drums). Producer: Bob Shad. Reissue producers: Richard Seidel, Paul Ramey. Recorded December 16 and 18, 1954, in New York. Originally released at Emarcy (36004). Includes liner notes by Michael Bourne. Digitally remastered by Kiyoshi Tokiwa. Personnel: Sarah Vaughan (vocals); Ernie Wilkins (arranger); Paul Quinichette (tenor saxophone); Clifford Brown (trumpet); Herbie Mann (flute); Jimmy Jomes (piano); Joe Benjamin (bass); Roy Haynes (drums). Producer: Bob Shad. Reissue producers: Richard Seidel, Paul Ramey. Recorded December 16 and 18, 1954, in New York. Originally released at Emarcy (36004). Includes liner notes by Michael Bourne. This album joined the talents of legendary jazz singer Sarah Vaughan with those of 24-year-old wonder-trumpeter Clifford Brown for a December, 1954 released on Mercury Records subsidiary EmArcy. A warm and welcoming hiss washes over this album, giving it a graceful, familiar patina. One feels like a privileged listener let in on an intimate closed session. Brown's playing is sharp and confident throughout, and at times even bears a bit of a racy, histrionic edge. But it is clearly Vaughan who steals the show in this set. The opening and closing strains of "Jim" demonstrate her peerless intonation, as her voice blends with the rest of the instruments to create a mellifluous whole. On "Lullaby of Birdland," Vaughan wallows around her soupy lower register only seconds before breaking into some bebop maneuvering. It is interesting to listen to what kind of interpretive character her tight vibrato and winsome pitch-modulation bring to standards like "September Song," and the Gershwins' "Embraceable You." This is a thoroughly representative collection from one of jazz's all-time greats.

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Most relevant reviews

  • Thanks Sarah and Clifford

    Sassy is a wonderful performer and here she sings with great jazz musicians

    Verified purchase: YesCondition: New