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Exodus by in Used - Like New
US $69.79
ApproximatelyAU $105.15
Condition:
Postage:
Located in: Mansfield, Massachusetts, United States
Delivery:
Estimated between Thu, 27 Jun and Sat, 29 Jun to 43230
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eBay item number:126436340721
Item specifics
- Condition
- ISBN
- 9783836561303
- Book Title
- Sebastião Salgado. Exodus
- Publisher
- Taschen
- Item Length
- 14 in
- Publication Year
- 2016
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 2 in
- Genre
- Social Science, Photography
- Topic
- Individual Photographers / General, Emigration & Immigration, Photojournalism, Photoessays & Documentaries
- Item Weight
- 129.3 Oz
- Item Width
- 10.5 in
- Number of Pages
- 432 Pages
About this product
Product Identifiers
Publisher
Taschen
ISBN-10
3836561301
ISBN-13
9783836561303
eBay Product ID (ePID)
220477382
Product Key Features
Book Title
Sebastião Salgado. Exodus
Number of Pages
432 Pages
Language
English
Publication Year
2016
Topic
Individual Photographers / General, Emigration & Immigration, Photojournalism, Photoessays & Documentaries
Illustrator
Yes
Genre
Social Science, Photography
Format
Hardcover
Dimensions
Item Height
2 in
Item Weight
129.3 Oz
Item Length
14 in
Item Width
10.5 in
Additional Product Features
Intended Audience
Trade
Reviews
A true testament to humankind. Despite the subject matter, the images can, at times, be replete with joy and admirable endurance. Even in the face of such hardship, the human spirit carries something of a flame., In the freakish hyper-reality of 2016, where tragedy upon tragedy dominate news cycles, a collection like Exodus adds historical context to the global story of humanity on the move.
Synopsis
It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea . His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux . There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones . At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience . He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement . In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence.", Over six years and 35 countries, Sebastião Salgado documents the story of human migration. From the Hutu population of Rwanda, hiding out in remote jungles, to the first boats filled with Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean Sea, Salgado captures both the scale of the migrant crisis and the heart-stopping moments of the individual exile story., It has been almost a generation since Sebastião Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence.", It has been almost a generation since Sebasti o Salgado first published Exodus but the story it tells, of fraught human movement around the globe, has changed little in 16 years. The push and pull factors may shift, the nexus of conflict relocates from Rwanda to Syria, but the people who leave their homes tell the same tale: deprivation, hardship, and glimmers of hope, plotted along a journey of great psychological, as well as physical, toil. Salgado spent six years with migrant peoples, visiting more than 35 countries to document displacement on the road, in camps, and in overcrowded city slums where new arrivals often end up. His project includes Latin Americans entering the United States, Jews leaving the former Soviet Union, Kosovars fleeing into Albania, the Hutu refugees of Rwanda, as well as the first "boat people" of Arabs and sub-Saharan Africans trying to reach Europe across the Mediterranean ea. His images feature those who know where they are going and those who are simply in flight, relieved to be alive and uninjured enough to run. The faces he meets present dignity and compassion in the most bitter of circumstances, but also the many ravaged marks of violence, hatred, and greed. With his particular eye for detail and motion, Salgado captures the heart-stopping moments of migratory movement, as much as the mass flux. There are laden trucks, crowded boats, and camps stretched out to a clouded horizon, and then there is the small, bandaged leg; the fingerprint on a page; the interview with a border guard; the bundle and baby clutched to a mother's breast. Insisting on the scale of the migrant phenomenon, Salgado also asserts, with characteristic humanism, the personal story within the overwhelming numbers. Against the indistinct faces of televised footage or the crowds caught beneath a newspaper headline, what we find here are portraits of individual identities, even in the abyss of a lost land, home, and, often, loved ones. At the same time, Salgado also declares the commonality of the migrant situation as a shared, global experience. He summons his viewers not simply as spectators of the refugee and exile suffering, but as actors in the social, political, economic, and environmental shifts which contribute to the migratory phenomenon. As the boats bobbing up on the Greek and Italian coastline bring migration home to Europe like no mass movement since the Second World War, Exodus cries out not only for our heightened awareness but also for responsibility and engagement. In face of the scarred bodies, the hundreds of bare feet on hot tarmac, our imperative is not to look on in compassion, but, in Salgado's own words, to temper our behaviors in a "new regimen of coexistence."
LC Classification Number
TR655
Copyright Date
2016
ebay_catalog_id
4
Item description from the seller
Seller assumes all responsibility for this listing.
eBay item number:126436340721
Postage and handling
Item location:
Mansfield, Massachusetts, United States
Posts to:
Australia, Bulgaria, Canada, Cyprus, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Latvia, Lithuania, Malta, Portugal, Romania, Slovakia, Slovenia, United Kingdom, United States
Excludes:
Africa, Albania, American Samoa, Andorra, Asia, Austria, Barbados, Belarus, Belgium, Bermuda, Bosnia and Herzegovina, Central America and Caribbean, Cook Islands, Fiji, France, French Guiana, French Polynesia, Germany, Gibraltar, Greenland, Guadeloupe, Guam, Guernsey, Iceland, Ireland, Italy, Jersey, Kiribati, Libya, Liechtenstein, Luxembourg, Macedonia, Marshall Islands, Martinique, Mexico, Micronesia, Middle East, Moldova, Monaco, Montenegro, Nauru, Netherlands, New Caledonia, New Zealand, Niue, Norway, Palau, Papua New Guinea, Poland, Republic of Croatia, Reunion, Russian Federation, Saint Pierre and Miquelon, San Marino, Serbia, Solomon Islands, South America, Southeast Asia, Spain, Svalbard and Jan Mayen, Sweden, Switzerland, Tonga, Tuvalu, Ukraine, Vanuatu, Vatican City State, Venezuela, Wallis and Futuna, Western Samoa
Postage and handling | To | Service | Delivery*See delivery notes |
---|---|---|---|
Free postage | United States | Economy postage (USPS Media MailTM) | Estimated between Thu, 27 Jun and Sat, 29 Jun to 43230 |
US $7.99 (approx. AU $12.04) | United States | Express Postage (USPS Priority Mail®) | Estimated between Tue, 25 Jun and Fri, 28 Jun to 43230 |
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Will usually post within 1 business day of receiving cleared payment. |
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Item must be returned within | Refund will be given as |
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30 days after the buyer receives it | Money back |
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You must return items in their original packaging and in the same condition as when you received them. If you don't follow our item condition policy for returnsitem condition policy for returns, you may not receive a full refund.
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FIVE STARS!! Waddle Books is an awesome eBay seller! Provided excellent communication throughout. Shipped a well packaged, as described item ultra fast!! Thanks a million!! ⭐️⭐️⭐️⭐️⭐️
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Past 6 months
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book definitely in new condition; packed well; no bent corners on cover or pages; appreciate the extra step in packing; some great tales in this book; transaction was smooth from start to finish; fast shipping; excellent customer service, price and seller; thanks :)
4***t (56)- Feedback left by buyer.
Past 6 months
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Item arrived in the allotted time and was as described. The Seller took great care in packaging my book so that it would arrive safely. I am very happy with this Seller and definitely recommend them.
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- 20 Oct, 2021
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Verified purchase: YesCondition: NewSold by: oneclickwarehouse
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