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'The Amistad Revolt' Iyunolu Folayan Osagie HC 1st Signed 2000

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Condition:
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Excellent, Pre-Owned Condition. See Photos & Description.
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Item specifics

Condition
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Excellent, Pre-Owned Condition. See Photos & Description.”
Personalized
No
ISBN
9780820322247

About this product

Product Identifiers

Publisher
University of Georgia Press
ISBN-10
0820322245
ISBN-13
9780820322247
eBay Product ID (ePID)
1695491

Product Key Features

Number of Pages
216 Pages
Language
English
Publication Name
Amistad Revolt : Memory, Slavery, and the Politics of Identity in the United States and Sierra Leone
Publication Year
2000
Subject
Slavery, American / African American, Africa / West, United States / 19th Century, Popular Culture, Physiological Psychology, Social Psychology, Ethnic Studies / African American Studies, African American
Type
Textbook
Subject Area
Literary Criticism, Social Science, Psychology, History
Author
Iyunolu Folayan Osagie
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
18.4 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
99-087625
Dewey Edition
21
TitleLeading
The
Reviews
Osagie refutes certain preconceived notions and theories about the Amistad revolt. . . . and explores specific connections between the United States and what she has seen in her native Sierra Leone.--West Africa|9780820322247|, "The achievement of Osagie's pivotal work is its contribution to filling the divide of ignorance between Continental and Diaspora academics with information about the ravages perpetrated on Sierra Leone, and the reconstruction of identity undertaken there, while the descendants of Africa's other dispersed captives have attempted rebellion, survival, and self-definition in the face of their own accumulations of genocidal levels of trauma."--The Griot, "The achievement of Osagie's pivotal work is its contribution to filling the divide of ignorance between Continental and Diaspora academics with information about the ravages perpetrated on Sierra Leone, and the reconstruction of identity undertaken there, while the descendants of Africa's other dispersed captives have attempted rebellion, survival, and self-definition in the face of their own accumulations of genocidal levels of trauma."-- The Griot, "Stephen Spielberg's 1997 movie Amistad , a 'colonialist reenactment,' stands at the intellectual center of this extended essay on the cultural impact of the 1839 revolt by Mende slaves on a Cuban ship. . . . Osagie is Sierra Leonean and only learned of this heroic event of the slave era in 1993. Because Africans have known so little of this story, he sees its 're-memory' as a vital part of contemporary nation building on the continent."-- Choice, "Using the Amistad revolt and the vast body of intellectual and artistic production that it has generated as point of departure, The Amistad Revolt explores such diverse disciplines as history, fiction, drama and film to stage a comparative exploration of the production of identity in Africa and the U.S. African-American diaspora."--Biodun Jeyifo, Cornell University, "Stephen Spielberg's 1997 movieAmistad, a 'colonialist reenactment,' stands at the intellectual center of this extended essay on the cultural impact of the 1839 revolt by Mende slaves on a Cuban ship. . . . Osagie is Sierra Leonean and only learned of this heroic event of the slave era in 1993. Because Africans have known so little of this story, he sees its 're-memory' as a vital part of contemporary nation building on the continent."--Choice, "Broadens the scope of the Amistad story and re-examines its significance on both sides of the Atlantic . . . Its enormous contribution to African Diaspora and African Studies will prove invaluable to those seeking to come to terms with these still largely understudied areas. In all cases, Osagie's work forces its readers to confront African humanity and to dialogue with its myriad internal and external contradictions and possibilities."--African American Review, "Broadens the scope of the Amistad story and re-examines its significance on both sides of the Atlantic . . . Its enormous contribution to African Diaspora and African Studies will prove invaluable to those seeking to come to terms with these still largely understudied areas. In all cases, Osagie's work forces its readers to confront African humanity and to dialogue with its myriad internal and external contradictions and possibilities."-- African American Review, "Using the Amistad revolt and the vast body of intellectual and artistic production that it has generated as point of departure,The Amistad Revoltexplores such diverse disciplines as history, fiction, drama and film to stage a comparative exploration of the production of identity in Africa and the U.S. African-American diaspora."--Biodun Jeyifo, Cornell University, Osagie refutes certain preconceived notions and theories about the Amistad revolt. . . . and explores specific connections between the United States and what she has seen in her native Sierra Leone.-- West Africa|9780820322247|
Illustrated
Yes
Dewey Decimal
326/.0973
Synopsis
This study evaluates the relationship between popular art forms, the Amistad Revolt of 1839 and cultural movements, asserting that the Amistad case created a major shift in northern US attitudes toward slavery and played a key role in the construction of national identity in Sierra Leone., From journalism and lectures to drama, visual art, and the Spielberg film, this study ranges across the varied cultural reactions--in America and Sierra Leone--engendered by the 1839 Amistad slave ship revolt. Iyunolu Folayan Osagie is a native of Sierra Leone, from where the Amistad's cargo of slaves originated. She digs deeply into the Amistad story to show the historical and contemporary relevance of the incident and its subsequent trials. At the same time, she shows how the incident has contributed to the construction of national and cultural identity both in Africa and the African diasporo in America--though in intriguingly different ways. This pioneering work of comparative African and American cultural criticism shows how creative arts have both confirmed and fostered the significance of the Amistad revolt in contemporary racial discourse and in the collective memories of both countries.
LC Classification Number
E447.O73 2000

Item description from the seller

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