Reviews
"The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."-- American Literature, "This collection represents the most important and complete interchange between two poets in the latter half of the century, and offers essential insight into the aesthetics of Black Mountain, open-field, Projectivist, and Objectivist poetry—but also elucidates the blend of mystical and personal which makes their work so entrancing . . . I found this book one of the most exciting interchanges of ideas in letter that I have ever read. Albert Gelpi's introduction thoroughly extends appreciation for Levertov and Duncan's relationship, and provides illuminating insight into the causes of the rift between them. Such a massive collection demands good appendices, and the editors successfully provide contextual notes, a glossary, a chronology, and biographical information about the people mentioned in the letters."—Jeffery Beam, Oyster Boy Review, The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."—Choice, "No good poetry can be written to order, regardless of how worthy or pressing the cause. Duncan's and Levertov's letters are an invaluable historical document on how difficult it is to respond to such questions while innocent blood is being spilled. They seem to me even more eloquent and relevant today as we find ourselves living through another senseless war."-- The New York Review of Books, The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."— American Literature, "The correspondance, now presented to us in a monumental edition produced by Albert Gelpi and Robert J. Bertholf, with a judicious introduction by Gelpi and useful appendix, glossary of names, chronology and notes, is an indispensable addition to our understanding of American poetry in the post-war decades. Even readers who have reservations about the work of both poets will find these letters riveting."-Marjorie Perloff, Times Literary Supplement, "Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience."— BOOKFORUM, "The correspondance, now presented to us in a monumental edition produced by Albert Gelpi and Robert J. Bertholf, with a judicious introduction by Gelpi and useful appendix, glossary of names, chronology and notes, is an indispensable addition to our understanding of American poetry in the post-war decades. Even readers who have reservations about the work of both poets will find these letters riveting."—Marjorie Perloff, Times Literary Supplement, "The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."-Choice, Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience..."— BOOKFORUM, "The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."-- American Literature "No good poetry can be written to order, regardless of how worthy or pressing the cause. Duncan's and Levertov's letters are an invaluable historical document on how difficult it is to respond to such questions while innocent blood is being spilled. They seem to me even more eloquent and relevant today as we find ourselves living through another senseless war."-- The New York Review of Books "The reader who holds The Letters in his hands holds the actual friendship . . . and accordingly is offered a rare chance to understand where two old friends went wrong. Spanning some thirty years . . . the collection manages what would seem unlikely in material so sprawling: to tell a coherent story."-- Common Knowledge "This splendid edition fulfills every wish."-- American Literary Scholarship, Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience..."—BOOKFORUM, "The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."- Choice, "The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."-- Choice, The correspondance, now presented to us in a monumental edition produced by Albert Gelpi and Robert J. Bertholf, with a judicious introduction by Gelpi and useful appendix, glossary of names, chronology and notes, is an indispensable addition to our understanding of American poetry in the post-war decades. Even readers who have reservations about the work of both poets will find these letters riveting."—Marjorie Perloff, Times Literary Supplement, "Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience..."-BOOKFORUM, No good poetry can be written to order, regardless of how worthy or pressing the cause. Duncan's and Levertov's letters are an invaluable historical document on how difficult it is to respond to such questions while innocent blood is being spilled. They seem to me even more eloquent and relevant today as we find ourselves living through another senseless war."— The New York Review of Books, "The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."— American Literature, "Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience."-- BOOKFORUM, "The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."— Choice, "The correspondance, now presented to us in a monumental edition produced by Albert Gelpi and Robert J. Bertholf, with a judicious introduction by Gelpi and useful appendix, glossary of names, chronology and notes, is an indispensable addition to our understanding of American poetry in the post-war decades. Even readers who have reservations about the work of both poets will find these letters riveting."--Marjorie Perloff, Times Literary Supplement, The affectionate, chatty, honest, lengthy, detailed comments in the correspondence give an insight into two souls for whom words were life...This corresondence is invaluable to those interested in the language of poetry, indeed of all writing."— Choice, "This collection represents the most important and complete interchange between two poets in the latter half of the century, and offers essential insight into the aesthetics of Black Mountain, open-field, Projectivist, and Objectivist poetry--but also elucidates the blend of mystical and personal which makes their work so entrancing . . . I found this book one of the most exciting interchanges of ideas in letter that I have ever read. Albert Gelpi's introduction thoroughly extends appreciation for Levertov and Duncan's relationship, and provides illuminating insight into the causes of the rift between them. Such a massive collection demands good appendices, and the editors successfully provide contextual notes, a glossary, a chronology, and biographical information about the people mentioned in the letters."--Jeffery Beam, Oyster Boy Review, "The reader who holds The Letters in his hands holds the actual friendship . . . and accordingly is offered a rare chance to understand where two old friends went wrong. Spanning some thirty years . . . the collection manages what would seem unlikely in material so sprawling: to tell a coherent story."-- Common Knowledge, "The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."- American Literature, "This collection represents the most important and complete interchange between two poets in the latter half of the century, and offers essential insight into the aesthetics of Black Mountain, open-field, Projectivist, and Objectivist poetry-but also elucidates the blend of mystical and personal which makes their work so entrancing . . . I found this book one of the most exciting interchanges of ideas in letter that I have ever read. Albert Gelpi's introduction thoroughly extends appreciation for Levertov and Duncan's relationship, and provides illuminating insight into the causes of the rift between them. Such a massive collection demands good appendices, and the editors successfully provide contextual notes, a glossary, a chronology, and biographical information about the people mentioned in the letters."-Jeffery Beam, Oyster Boy Review, The correspondance, now presented to us in a monumental edition produced by Albert Gelpi and Robert J. Bertholf, with a judicious introduction by Gelpi and useful appendix, glossary of names, chronology and notes, is an indispensable addition to our unde|9780804745697|, "Duncan and Levertov's intellectual integrity makes reading this book an emotionallly bracing experience."- BOOKFORUM, The intimacy, loyalty, and lively intellectual exchange captured in this correspondence reveal the intense bond between Duncan and Levertov and depict the state of American poetry and cultural history in the mid-twentieth century."—American Literature
