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Princeton Series in 19th Century Art, Culture, and Society Ser.: Plight of Emulation : Ernest Meissonier and French Salon Painting by Marc Gotlieb (1996, Hardcover)
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About this product
Product Identifiers
PublisherPrinceton University Press
ISBN-100691043744
ISBN-139780691043746
eBay Product ID (ePID)767024
Product Key Features
Number of Pages264 Pages
LanguageEnglish
Publication NamePlight of Emulation : Ernest Meissonier and French Salon Painting
Publication Year1996
SubjectHistory / General
TypeTextbook
AuthorMarc Gotlieb
Subject AreaArt
SeriesPrinceton Series in 19th Century Art, Culture, and Society Ser.
FormatHardcover
Dimensions
Item Height0.9 in
Item Weight25 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceCollege Audience
LCCN95-012058
Dewey Edition20
TitleLeadingThe
Reviews"Meissonier was one of the major Salon painters of the 19th century . . . Gotlieb persuasively shows that Meissonier's work was indeed concerned with the issue of 'originality' central to Modernism. This is a thoughtful and stimulating work." -- The Virginia Quarterly, Meissonier was one of the major Salon painters of the 19th century . . . Gotlieb persuasively shows that Meissonier's work was indeed concerned with the issue of 'originality' central to Modernism. This is a thoughtful and stimulating work.
IllustratedYes
Dewey Decimal759.4
Table Of ContentList of Illustrations xi Acknowledgments xvii INTRODUCTION 1 CHAPTER ONE Meissonier at the Pantheon 9 CHAPTER Two Chenavard's Lesson 53 CHAPTER THREE Meissonier's Memory 96 CHAPTER FOUR The End of Emulation 155 CONCLUSION The Sign-painter 185 Notes 203 Index 249
SynopsisBy the time of Ernest Meissonier's death in 1891, he was among the most famous painters of the nineteenth century. Delacroix, for instance, had hailed him as the "incontestable master of our epoch" and had felt that Meissonier's posthumous reputation would be greater than his own. But Meissonier's renown quickly vanished, and to modernist critics his oeuvre, composed largely of genre and battle paintings, seemed of little value. This provocative study of emulation contests the modernist critique and discloses a new aspect of Meissonier and French Salon painters in general: many of these artists attempted the ultimately impossible task of remaining loyal to their teachers and other predecessors while at the same time escaping their influence. A subtle and gifted painter, Meissonier projected a supremely self-confident public image. Nevertheless, he was obsessed by his efforts to prevail over the past. Marc Gotlieb examines both Meissonier's career and his painting, paying particular attention to the artist's exploration of genre painting as a new form of expression, to his use of live models, and to his eventually fruitless attempt to complete a massive mural painting that would rival those of the old masters on the grandest scale. Using new approaches from art history, literature, and psychoanalysis, The Plight of Emulation offers not only an intellectual biography of an extremely talented artist but also a wide-ranging picture of a fascinating era in European cultural history and a convincing analysis of the final impasse of the French Salon.
LC Classification NumberND553.M567G68 1996
