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From Mouse to Mermaid: The Politics of Film, Gender, and Culture by Bell, Eliza
US $6.49
ApproximatelyAU $9.97
Condition:
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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Located in: Minneapolis, Minnesota, United States
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eBay item number:146250611820
Item specifics
- Condition
- Book Title
- From Mouse to Mermaid: The Politics of Film, Gender, and Culture
- ISBN
- 9780253209788
About this product
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253209781
ISBN-13
9780253209788
eBay Product ID (ePID)
56553
Product Key Features
Number of Pages
280 Pages
Publication Name
From Mouse to Mermaid : the Politics of Film, Gender, and Culture
Language
English
Publication Year
1995
Subject
Film / Genres / Animated, Film / General, Film / Genres / General, Women's Studies
Type
Textbook
Subject Area
Performing Arts, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
15.7 Oz
Item Length
9.4 in
Item Width
7.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
94-049374
Dewey Edition
20
Grade From
College Graduate Student
Dewey Decimal
791.43/75/0973
Table Of Content
Acknowledgments Introduction: Walt's in the Movies?Elizabeth Bell, Lynda Haas, and Laura Sells Section I: Sanitizations/Disney Film as Cultural Pedagogy Breaking the Disney Spell?Jack Zipes Memory and Pedagogy in the "Wonderful World of Disney": Beyond the Politics of Innocence?Henry A. Giroux Pinocchio?Claudia Card Disney Does Dutch: Billy Bathgate and the Disneyficationof the Gangster Genre?Robert Haas The Movie You See, The Movie Don't: How Disney Do's That Old Time Derision?Susan Miller and Greg Rode Section II: Contestations/Disney Film as Gender Construction Somatexts at the Disney Shop: Constructing the Pentimentos of Women's Animated Bodies?Elizabeth Bell "The Whole Wide World was Scribbed Clean": The Androcentric Animation of Denatured Disney?Patrick D. Murphy Bambi?David Payne Beyond Captain Nemo: Disney's Science Fiction?Brian Attebery The Curse of Masculinity: Disney's Beauty and the Beast?Susan Jeffords Section III: Erasures/Disney Film as Identity Politics "Where Do The Mermaids Stand?"Voice and Body in The Little Mermaid?Laura Sells "Eighty-Six the Mother": Murder, Matricide, and Good Mothers?Lynda Haas Spinsters in Sensible Shoes: Mary Poppins and Bedknobs and Broomsticks?Chris Cuomo Pretty Woman Through the Triple Lens of Black Feminist Spectatorship?D.Soyini Madison Pachuco Mickey?Ramona Fernancez Contributors Index
Synopsis
From Mouse to Mermaid, an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes., From Mouse to Mermaid , an interdisciplinary collection of original essays, is the first comprehensive, critical treatment of Disney cinema. Addressing children's classics as well as the Disney affiliates' more recent attempts to capture adult audiences, the contributors respond to the Disney film legacy from feminist, marxist, poststructuralist, and cultural studies perspectives. The volume contemplates Disney's duality as an American icon and as an industry of cultural production, created in and through fifty years of filmmaking. The contributors treat a range of topics at issue in contemporary cultural studies: the performance of gender, race, and class; the engendered images of science, nature, technology, family, and business. The compilation of voices in From Mouse to Mermaid creates a persuasive cultural critique of Disney's ideology. The contributors are Bryan Attebery, Elizabeth Bell, Claudia Card, Chris Cuomo, Ramona Fernandez, Henry A. Giroux, Robert Haas, Lynda Haas, Susan Jeffords, N. Soyini Madison, Susan Miller, Patrick Murphy, David Payne, Greg Rode, Laura Sells, and Jack Zipes.
LC Classification Number
PN1999.W27F76 1995
Item description from the seller
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