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Dancing Throughout Mexican History (1325-1910) by Martínez-Hunter, Sanjuanita

by Martínez-Hunter, Sanjuanita | PB | VeryGood
US $20.83
ApproximatelyAU $32.42
Condition:
Very good
Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ... Read moreabout condition
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Last updated on 17 Jul, 2025 01:45:40 AESTView all revisionsView all revisions

Item specifics

Condition
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ...
Binding
Paperback
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780692099667

About this product

Product Identifiers

Publisher
Mexico Lindo Press
ISBN-10
0692099662
ISBN-13
9780692099667
eBay Product ID (ePID)
8038434255

Product Key Features

Book Title
Dancing Throughout Mexican History (1325-1910)
Number of Pages
138 Pages
Language
English
Publication Year
2018
Topic
Dance / Folk
Genre
Performing Arts
Author
Sanjuanita Martínez-Hunter
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
9.3 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Synopsis
This book is a must read for anyone who would like to learn more about Dance in Mexican History. It is an especially important reference for teachers of Mexican Folkloric Dance who would like to incorporate Mexican Dance History into their teachings. Using the time frame of 1325-1910, Martínez-Hunter skillfully gives a brief overview of Mexican history accompanied by an analysis of the dances during this period. She begins by diving into accounts of the Aztec dances in Pre-Hispanic Mexico before and after the conquest. Then, she describes the Dance Dramas that arose when the Spanish began to Christianize the Indigenous people. During the Spanish colonization, Martínez-Hunter notes the ways in which theatrical dances were imported from Europe to Mexico; the influences of the court dances including the pavane, sarabande, and the chaconne which began in the New World and traveled to Europe; as well as the Indigenous, mestizo, Chilean, and African influences on the dances of Mexico. Then, covering the dances during the Independence of Mexico (1810-1821) until the beginnings of the Mexican Revolutionary War (1910-1920), Martínez-Hunter juxtaposes the popularity of the European ballroom dances with the dances of the peasant people known as jarabes and sones. To honor the life's work of Martínez-Hunter all the photographs of the jarabes and sones included in this book feature her dancers of the University of Texas at Austin Ballet Folklorico from the 1970s. They document her many contributions to Dance when she was a faculty member at this institution., This book is a must read for anyone who would like to learn more about Dance in Mexican History. It is an especially important reference for teachers of Mexican Folkloric Dance who would like to incorporate Mexican Dance History into their teachings. Using the time frame of 1325-1910, Mart nez-Hunter skillfully gives a brief overview of Mexican history accompanied by an analysis of the dances during this period. She begins by diving into accounts of the Aztec dances in Pre-Hispanic Mexico before and after the conquest. Then, she describes the Dance Dramas that arose when the Spanish began to Christianize the Indigenous people. During the Spanish colonization, Mart nez-Hunter notes the ways in which theatrical dances were imported from Europe to Mexico; the influences of the court dances including the pavane, sarabande, and the chaconne which began in the New World and traveled to Europe; as well as the Indigenous, mestizo, Chilean, and African influences on the dances of Mexico. Then, covering the dances during the Independence of Mexico (1810-1821) until the beginnings of the Mexican Revolutionary War (1910-1920), Mart nez-Hunter juxtaposes the popularity of the European ballroom dances with the dances of the peasant people known as jarabes and sones. To honor the life's work of Mart nez-Hunter all the photographs of the jarabes and sones included in this book feature her dancers of the University of Texas at Austin Ballet Folklorico from the 1970s. They document her many contributions to Dance when she was a faculty member at this institution.

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