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Imagining the Nagas
US $79.54
ApproximatelyAU $122.31
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
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Free USPS Media MailTM.
Located in: Manistee, Michigan, United States
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Estimated between Mon, 11 Aug and Thu, 14 Aug to 94104
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eBay item number:156898423678
Item specifics
- Condition
- Release Year
- 2014
- ISBN
- 9783897904125
About this product
Product Identifiers
Publisher
Arnoldsche Art Publishers
ISBN-10
3897904128
ISBN-13
9783897904125
eBay Product ID (ePID)
201637843
Product Key Features
Book Title
Imagining the Nagas : Pictorial Ethnography of Hans-Eberhard Kauffmann and Christoph Von Furer-Haimendorf
Number of Pages
448 Pages
Language
English
Publication Year
2014
Topic
Photojournalism, Anthropology / Cultural & Social, Customs & Traditions
Illustrator
Yes
Genre
Social Science, Photography
Format
Hardcover
Dimensions
Item Height
1.9 in
Item Weight
75.7 Oz
Item Length
10.6 in
Item Width
8.3 in
Additional Product Features
Intended Audience
Trade
Synopsis
When the British colonial power in the nineteenth century extended its influence to the mountainous borderland between India and Burma, it brought about an era of fundamental cultural changes for the native Naga tribes. The guns of the conquerors were followed by the dogmas of the missionaries, as well as the drawing pens and cameras of the documentarians. Their pictures and artifacts soon found their way onto the tables of parlors and into Europe's museums. The spectacular material culture with its individualistic aesthetics, along with the fascination of headhunting, soon led to the Naga being stylized as the epitome of 'noble savages'. The pictorial documentation of the tribe reached its peak in the 1930s, following the research expeditions by the Austrian ethnologist Christoph von Furer-Haimendorf and his German colleague Hans-Eberhard Kauffmann. The photographic heritage of Kauffmann, believed to be lost and then rediscovered by the author, is the focus of this publication. It attempts, by means of a detailed pictorial ethnography, to reconstruct the aesthetic and cultural reality of the Nagas in the 1930s, through the ethnographer's lens. This is contextualized by Furer-Haimendorf 's photographs, alongside other sources. A detailed introduction presents the working practices and analyzes the biographies of the two ethnographers and their political and ideological entanglements.", This publication opens up a fascinating insight into the culture of the Naga tribes in the Eastern foothills of the Himalayas. Based on around 400 historical photographs, the author reconstructs with scientific precision the encounters between the Nagas, the British colonial empire and two German-speaking explorers, their pictorial worlds and ideologies. ,, When the British colonial power in the nineteenth century extended its influence to the mountainous borderland between India and Burma, it brought about an era of fundamental cultural changes for the native Naga tribes. The guns of the conquerors were followed by the dogmas of the missionaries, as well as the drawing pens and cameras of the documentarians. Their pictures and artifacts soon found their way onto the tables of parlors and into Europe's museums. The spectacular material culture with its individualistic aesthetics, along with the fascination of headhunting, soon led to the Naga being stylized as the epitome of 'noble savages'. The pictorial documentation of the tribe reached its peak in the 1930s, following the research expeditions by the Austrian ethnologist Christoph von Fürer-Haimendorf and his German colleague Hans-Eberhard Kauffmann. The photographic heritage of Kauffmann, believed to be lost and then rediscovered by the author, is the focus of this publication. It attempts, by means of a detailed pictorial ethnography, to reconstruct the aesthetic and cultural reality of the Nagas in the 1930s, through the ethnographer's lens. This is contextualized by Fürer-Haimendorf 's photographs, alongside other sources. A detailed introduction presents the working practices and analyzes the biographies of the two ethnographers and their political and ideological entanglements., When the British colonial power in the nineteenth century extended its influence to the mountainous borderland between India and Burma, it brought about an era of fundamental cultural changes for the native Naga tribes. The guns of the conquerors were followed by the dogmas of the missionaries, as well as the drawing pens and cameras of the documentarians. Their pictures and artifacts soon found their way onto the tables of parlors and into Europe's museums. The spectacular material culture with its individualistic aesthetics, along with the fascination of headhunting, soon led to the Naga being stylized as the epitome of 'noble savages'. The pictorial documentation of the tribe reached its peak in the 1930s, following the research expeditions by the Austrian ethnologist Christoph von Fürer-Haimendorf and his German colleague Hans-Eberhard Kauffmann. The photographic heritage of Kauffmann, believed to be lost and then rediscovered by the author, is the focus of this publication. It attempts, by means of a detailed pictorial ethnography, to reconstruct the aesthetic and cultural reality of the Nagas in the 1930s, through the ethnographer's lens. This is contextualized by Fürer Haimendorf's photographs, alongside other sources. A detailed introduction presents the working practices and analyzes the biographies of the two ethnographers and their political and ideological entanglements.
LC Classification Number
DS432.N3
Item description from the seller
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