Table Of ContentIntroduction, Reynolds J. Scott-Childress * Race, Nation, and the Rhetoric of Color: Locating Japan and China, 1870-1907, Reynolds J. Scott-Childress * "Freedom's Memorial": Manumission and Black Masculinity in the Monument to Lincoln, Kirk Savage * Nation's Nature: "Billy Budd, Sailor," Anglo-Saxonism, and the Canon, Cynthia J. Davis * Romanticism, Law, and the Denial of African-American Citizenship, Jon-Christian Suggs * Consolidating Anglo-American Imperial Identity around the Spanish-American War, Mar'a DeGuzm n * Sexual Appeal of Racial Differences: U.S. Travel Writing and Anxious American-ness in Turn-of-the-Century Puerto Rico, Kelvin Santiago-Valles * Irish "Race" and German "Nationality": Catholic Languages of Ethnic Difference in Turn-of-the-Century Philadelphia, Russell Kazal * W.E.B. Du Bois, American Nationalism, and the Jewish Question, Michael Kramer * The Enemy Imaged: Visual Configurations of Race and Ethnicity in World War I Propaganda Posters, Anne Knutson * "America Is Developing a Distinct Type of Man": Stark Love , Eugenics, and Nativist Discourses of the 1920s, Heidi Kenaga * Go Down, Moses: Zora Neale Hurston and Sigmund Freued on Race, Nation, and Political Representation, Char Miller * A Marble House Divided: The Lincoln Memorial, the Civil Rights Movement, and the Politics of Memory, 1939-1963, Scott Sandage * Citizen-Soldier and the Citizen-Internee: Military Fraternity, Race, and American Nationhood, 1941-1945, Holly Allen * Rescripting Louis Chu's Eat a Bowl of Tea: A Chinese [/] American Authentic?, Shirley Geok-Lin Lim * Techniques of the Imaginary Nation: Engendering Family Photography, Laura Wexler
SynopsisThrough beautiful photographs and intelligent writing, this fourth volume in the Furniture Studio series reports on the myriad ways that contemporary studio-furniture artists are responding to materials challenges such as the scarcity of exotic timber due to rain forest depletion, the subsequent explorations of the uses of metal, plastic, glass, and stone, and the increase in new functions realized by digital processes. Aiming to bridge the gaps between individual furniture makers, designers, scholars, and consumers, this forum for the discussion of meaning and content through a variety of formats includes an award-winning photographic portfolio by Judy Kenslie McKie, an essay showing how contemporary sculptors use furniture as metaphor, a photo essay on drawing, and a memoir by a leading artist that explains how she broke into new design realms by altering the established rules. Additional exhibition reviews include the furniture art of Roy McMakin, a juried portfolio of student work, and a look at the cutting-edge San Diego school led by Wendy Maruyama., Through beautiful photographs and intelligent writing, this fourth volume in the Furniture Studio series reports on the myriad ways that contemporary studio-furniture artists are responding to materials challenges such as the scarcity of exotic timber due to rain forest depletion, the subsequent explorations of the uses of metal, plastic, glass, and stone, and the increase in new functions realized by digital processes. Aiming to bridge the gaps between individual furniture makers, designers, scholars, and consumers, this forum for the discussion of meaning and content through a variety of formats includes an award-winning photographic portfolio by Judy Kenslie McKie, an essay showing how contemporary sculptors use furniture as metaphor, a photo essay on drawing, and a memoir by a leading artist that explains how she broke into new design realms by altering the established rules. Additional exhibition reviews include the furniture art of Roy McMakin, a juried portfolio of student work, and a look at the cutting-edge San Diego school led by Wendy Maruyama.