Dante and English Poetry : Shelley to T. S. Eliot by Steve Ellis (2010, Trade Paperback)
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This book is a history of the influence of Dante on English poetry. The critical survey is unified by the attempt to show certain recurrent preoccupations in the work of these writers, such as the need to define a tradition in which Dante is a necessary forerunner.
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About this product
Product Identifiers
PublisherCambridge University Press
ISBN-100521128668
ISBN-139780521128667
eBay Product ID (ePID)79874383
Product Key Features
Number of Pages300 Pages
Publication NameDante and English Poetry : Shelley to T. S. Eliot
LanguageEnglish
Publication Year2010
SubjectPoetry, American / General, European / Italian, European / English, Irish, Scottish, Welsh
TypeTextbook
Subject AreaLiterary Criticism
AuthorSteve Ellis
FormatTrade Paperback
Dimensions
Item Height0.7 in
Item Weight15.6 Oz
Item Length9 in
Item Width6 in
Additional Product Features
Intended AudienceScholarly & Professional
Dewey Edition22
IllustratedYes
Dewey Decimal821.009
Table Of ContentIntroduction; 1. Shelley, Dante and freedom; 2. Dante as the Byronic hero; 3. Browning, Dante and the two Sordellos; 4. Rossetti and the cult of the Vita Nuova; Appendix; 5. W. B. Yeats and Dante's mask; 6. Pound, Dante and Cavalcanti; 7. T. S. Eliot: the return to reality; Conclusion; Notes; Bibliography; Index.
SynopsisThis book is a history of the influence of Dante on English poetry. The focus us not primarily upon stylistic influences or attempts to imitate Dante's manner of writing, but rather on the different guises in which the enormous presence of Dante has made itself felt, and how that presence has affected some of the central concerns of the poets in question. The poets considered are Shelley, Byron, Browning, Rossetti, Yeats, Pound and Eliot. In addition to analysing the way Dante is approached by these poets in their major poetry, Dr Ellis also discusses relevant critical works: Shelley's Defence of Poetry, Pound's The Spirit of Romance and Yeats' A Vision. The critical survey is unified by the attempt to show certain recurrent preoccupations in the work of these writers, such as the need to define a tradition in which Dante is a necessary forerunner. Ellis also shows that Dante has been read in a very partial way by these poets and the images of him which emerge in their works are inevitably varied and contradictory., This book is a history of the influence of Dante on English poetry. The focus us not primarily upon stylistic influences or attempts to imitate Dante's manner of writing, but rather on the different guises in which the enormous presence of Dante has made itself felt, and how that presence has affected some of the central concerns of the poets in question.