Synopsis"I could not put down this book--it is a triumph, a work of great honesty and insight. It is a necessary book for our time." --Karen E. Bender, author of Refund In Flunk. Start. , Sands Hall chronicles her slow yet willing absorption into the Church of Scientology. Her time in the Church, the 1980s, includes the secretive illness and death of its founder, L. Ron Hubbard, and the ascension of David Miscavige. Hall compellingly reveals what drew her into the religion--what she found intriguing and useful--and how she came to confront its darker sides. As a young woman from a literary family striving to forge her own way as an artist, Hall ricochets between the worlds of Shakespeare, avant-garde theater, and soap opera, until her brilliant elder brother, playwright Oakley Hall III, falls from a bridge and suffers permanent brain damage. In the secluded canyons of Hollywood, she finds herself increasingly drawn toward the certainty that Scientology appears to offer. In this candid and nuanced memoir, Hall recounts her spiritual and artistic journey with a visceral affection for language, delighting in the way words can create a shared world. However, as Hall begins to grasp how purposefully Hubbard has created the unique language of Scientology--in the process isolating and indoctrinating its practitioners--she confronts how language can also be used as a tool of authoritarianism. Hall is a captivating guide, and Flunk. Start. explores how she has found meaning and purpose within that decade that for so long she thought of as lost; how she has faced the "flunk" represented by those years, and has embraced a way to "start" anew., "With its keen attention to the language and tactics of the church, Hall's memoir is unique among the assortment of Scientology reports and exposes, offering insight into the certainties that its subjects gain." -- The Nation In the secluded canyons of 1980s Hollywood, Sands Hall, a young woman from a literary family, strives to forge her own way as an artist. But instead, Hall finds herself increasingly drawn toward the certainty that Scientology appears to offer. Her time in the Church includes the secretive illness and death of its founder, L. Ron Hubbard, and the ascension of David Miscavige. In this compelling memoir, Hall reveals what drew her into the religion--with its intrigues and unique contemporary vision--and how she came to confront its darker sides and finally escape. "Some of the most penetrating, illuminating prose about how an educated and skeptical person could get so deeply into, and then struggle to escape, what everyone around her warned was a dangerous cult . . . brilliant." -- The Underground Bunker "If it is Scientology's offer of a life with meaning that hauls her in . . . it is its approach to meaning that keeps her . . . Hall's fascination with this is palpable." --Camille Ralphs, The Times Literary Supplement, The compelling story of what drew the author, actress, and musician to Scientology, why she stayed as long as she did, and how she has come to embrace a decade that for years she thought of as lost. In Flunk. Start. , Sands Hall chronicles her slow yet willing absorption into the Church of Scientology. Her time in the Church, the 1980s, includes the secretive illness and death of its founder, L. Ron Hubbard, and the ascension of David Miscavige. Hall compellingly reveals what drew her into the religion--what she found intriguing and useful--and how she came to confront its darker sides. As a young woman from a literary family striving to forge her own way as an artist, Hall ricochets between the worlds of Shakespeare, avant-garde theater, and soap opera, until her brilliant elder brother, playwright Oakley Hall III, falls from a bridge and suffers permanent brain damage. In the secluded canyons of Hollywood, she finds herself increasingly drawn toward the certainty that Scientology appears to offer. In this candid and nuanced memoir, Hall recounts her spiritual and artistic journey with a visceral affection for language, delighting in the way words can create a shared world. However, as Hall begins to grasp how purposefully Hubbard has created the unique language of Scientology--in the process isolating and indoctrinating its practitioners--she confronts how language can also be used as a tool of authoritarianism. Hall is a captivating guide, and Flunk. Start. explores how she has found meaning and purpose within that decade that for so long she thought of as lost; how she has faced the "flunk" represented by those years, and has embraced a way to "start" anew. "I could not put down this book--it is a triumph, a work of great honesty and insight. It is a necessary book for our time." --Karen E. Bender, author of Refund
LC Classification NumberBP605.S2H345 2018