Reviews
King admits in his introduction that he prefers all-out emotionally assaultive stories to those that might appeal to his critical nose. Yet King's selections are right at home among those of recent BASS editors Lorrie Moore, Michael Chabon and Walter Mosley: John Barth's darkly comic take on aging and mortality; a child's unforgiving view of her alcoholic parent from T.C. Boyle; an exploration of the grief of a crystal meth addict by William Gay (a writer King notes is a relatively obscure American talent); Lauren Groff's piece about a polio survivor learning to swim during the 1918 Spanish flu epidemic (based loosely on real-life Olympian Ethelda Bleibtrey); Roy Kesey's imagining of an airport terminal as microcosm of global politics; and Karen Russell's halfway house for the human children of werewolves (their condition skips a generation). Stories drawing on horror and on Maine add a personal King touch to this year's cull of 20, taken from among the 4,000 that series editor Pitlor read last year in periodicals. The book reflects the variety of substance and style and the consistent quality that readers have come to expect from the series, now in its 30th year., Wonderfully eclectic, The Best American Short Stories 2007 collects stories by undeniable talents, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, siblings or friends or colleagues, must break certain rules in order to remain true to ourselves. In T.C. Boyle's heartbreaking "Balto," a 13-year-old girl provides devastating courtroom testimony in her alcoholic father's trial. Aryn Kyle's charming story "Allegiance" shows a young girl caught between her despairing British mother and motherly American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even if this requires a breach of morality and religion. Kate Walbert's stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to accept her son's death. And in Richard Russo's graceful "Horseman," an English professor comes to understand that plagiarism can reveal more about a student than original work., If you buy one book this year, [you will] ensure a little bang for your buck with this journey through the vibrant worlds of twenty authors
