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Daisy and Lewis Kitty - Kitty, Daisy and Lewis The Third (CD)
Condition:
2 available / 6 sold
Postage:
AU $18.00 International Economy : tracked-no signature (11 to 35 business days). See detailsfor delivery
International delivery of items may be subject to customs processing and additional charges.
Located in: Chelsea, VIC, Australia
Delivery:
Estimated between Thu, 20 Jun and Fri, 12 Jul to 43230
Please allow additional time if international delivery is subject to customs processing.
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Seller information
- 99.3% positive Feedback
Seller assumes all responsibility for this listing.
eBay item number:225057815644
Item specifics
- Condition
- UPC
- Does not apply
- Artist
- Mick Jones, Kitty, Daisy & Lewis
- Format
- CD
- Record Label
- Sunday Best (Uk)
- Producer
- Mick Jones
- Release Year
- 2015
- Release Title
- The Third [Digipak]
- Genre
- Rock
- Run Time
- 43 Mins 9 Seconds
About this product
Product Identifiers
Producer
Mick Jones
Record Label
Sunday Best (Uk)
UPC
5051083085458
eBay Product ID (ePID)
2321204500
Product Key Features
Artist
Mick Jones, Kitty, Daisy & Lewis
Format
CD
Release Year
2015
Release Title
The Third [Digipak]
Genre
Rock
Run Time
43 Mins 9 Seconds
Additional Product Features
Distribution
Relativity Entertainment
Number of Discs
1
Country/Region of Manufacture
USA
Additional information
Personnel: Tara Minton (harp); Mike "Bammy" Rose (tenor saxophone); Eddie "Tan Tan" Thornton (trumpet); Vin Gordon (trombone). Audio Mixer: Kitty, Daisy & Lewis. Photographers: Lewis Durham; Mick Jones . The third full-length album from Kitty, Daisy & Lewis, 2015's fittingly titled The Third, showcases more of the group's rootsy yet stylistically wide-ranging mix of rockabilly, ska, vintage-style R&B, and quirky old-school pop. The album follows the group's acclaimed 2011 effort, Smoking in Heaven, and features production from the Clash's Mick Jones. Early on in Kitty, Daisy & Lewis' career, the British siblings (whose parents are noted producer/guitarist Graeme Durham and former Raincoats drummer Ingrid Weiss) exhibited a penchant for covering classic rockabilly and country songs, a talent that got them pegged as a traditionalist or even revivalist roots band. The fact that they also looked the part in vintage '50s clothes, and eked out their charming lo-fi sound with a mix of acoustic and electric instruments and tube amps, only added to the misconception. Seven years on from their full-length debut, Kitty, Daisy & Lewis appear less as a neo-retro rockabilly or country act (although they certainly touch upon those styles) and more like an astute, genre-bending post-punk band from the '70s or early '80s. Think how Talking Heads combined their love of soul and disco into their own fractured new wave sound and you'll get a good idea of where Kitty, Daisy & Lewis are coming from. Which isn't to say that they aren't still a little bit rootsy -- or that they sound anything like Talking Heads, for that matter. On the contrary, cuts like the '60s ska-sounding "Baby Bye Bye" and the vintage Chicago blues-inflected "It Ain't Your Business" are devilishly purist in their execution, but still feel markedly current. Similarly, listen to the punk-funk thump of "Bitchin' in the Kitchen" or the roiling boogie-blues of "Feeling of Wonder" and your mind begins intersecting images of a '40s juke joint with a '70s basement punk show. Perhaps the best example of the trio's decade-crossing talent is "No Action," a wicked, sinewy, piano and string-driven feature for drummer/vocalist Kitty that simultaneously calls to mind the Vaselines, Amy Winehouse, and Nile Rodgers. Which is why bringing Jones on board ends up making so much sense. From his early days in the '70s D.I.Y. scene to his early-'80s reign with the Clash to his dub, dance, and electronic-infused years during the '90s and onward with Big Audio Dynamite, Jones has forged multiple careers by fusing disparate yet compatible musical styles together to make wholly new yet comfortably recognizable pop music. Ultimately, that's exactly what Kitty, Daisy & Lewis have done here. ~ Matt Collar
Reviews
Clash (Magazine) - "It is an unequivocal triumph, standing boldly as their most diverse, beguiling and impressive release to date."
Engineer
Kitty, Daisy & Lewis
Item description from the seller
Seller assumes all responsibility for this listing.
eBay item number:225057815644
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Item location:
Chelsea, VIC, Australia
Posts to:
Americas, Asia, Australia, Europe, New Zealand
Excludes:
Afghanistan, Anguilla, Belarus, Bolivia, Botswana, Central African Republic, Chad, Comoros, Democratic People's Republic of Korea, Djibouti, Ecuador, El Salvador, Guinea-Bissau, Guyana, Haiti, Israel, Libya, Madagascar, Mexico, Moldova, Mongolia, Reunion, Russian Federation, Rwanda, Saudi Arabia, Sierra Leone, Somalia, South America, Suriname, Svalbard and Jan Mayen, Syria, Trinidad and Tobago, Tunisia, Venezuela, Yemen
| Postage and handling | Each additional item | To | Service | Delivery*See delivery notes |
|---|---|---|---|---|
| AU $18.00 | AU $18.00 | United States | International Economy : tracked-no signature (11 to 35 business days) | Estimated between Thu, 20 Jun and Fri, 12 Jul to 43230 |
| Taxes |
|---|
| Taxes may be applicable at checkout. Learn moreLearn more about paying tax on eBay purchases. |
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Sales tax for an item #225057815644
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| Item must be returned within |
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| 30 days after the buyer receives it |
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The seller is super lovely and friendly to all. The CD arrived without any blemishes or tarnishes and was wrapped adequately using bubble wrap. It plays well and it's just as new as it's condition described it. I'd recommend buying from here if you are interested because you will get the item you pay for. All the internal contents of the album were intact too and the CD arrived earlier than anticipated.