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Myth and Literature: Contemporary Theory and Practice by John B Vickery: Used

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Publication Date
1966-06-01
Pages
391
ISBN
9780803252080

About this product

Product Identifiers

Publisher
University of Nebraska Press
ISBN-10
0803252080
ISBN-13
9780803252080
eBay Product ID (ePID)
1560941

Product Key Features

Book Title
Myth and Literature : Contemporary Theory and Practice
Number of Pages
392 Pages
Language
English
Publication Year
1966
Topic
Fairy Tales, Folk Tales, Legends & Mythology, General
Features
Reprint
Genre
Literary Criticism
Author
John B. Vickery
Format
Trade Paperback

Dimensions

Item Height
1.1 in
Item Weight
22.4 Oz
Item Length
9 in
Item Width
7.2 in

Additional Product Features

Intended Audience
Trade
LCCN
65-011563
Dewey Edition
23
Reviews
"Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . [Professor Vickery''s] book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that ''myth'' has been very much in the air but have not been initiated into either philosophic theory or critical practice."-Douglas Bush, Harvard Educational Review, ""Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . [Professor Vickery's] book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that 'myth' has been very much in the air but have not been initiated into either philosophic theory or critical practice.""--Douglas Bush, Harvard Educational Review ""A collection without parallel. . . . Whether for historical interest in the fads and fashions of literary study or as the best single source for an overview of the best that has been said about the subject in the past 20 years, this collection is without peer.""-- Choice, "Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . [Professor Vickery's book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that 'myth' has been very much in the air but have not been initiated into either philosophic theory or critical practice."-Douglas Bush, Harvard Educational Review, "Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . [Professor Vickery's] book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that 'myth' has been very much in the air but have not been initiated into either philosophic theory or critical practice."-Douglas Bush, Harvard Educational Review, "A collection without parallel. . . . Whether for historical interest in the fads and fashions of literary study or as the best single source for an overview of the best that has been said about the subject in the past 20 years, this collection is without peer."- Choice
Dewey Decimal
809.933
Edition Description
Reprint
Synopsis
"Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . Professor Vickery's] book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that 'myth' has been very much in the air but have not been initiated into either philosophic theory or critical practice."--Douglas Bush, Harvard Educational Review. "A collection without parallel. . . . Whether for historical interest in the fads and fashions of literary study or as the best single source for an overview of the best that has been said about the subject in the past 20 years, this collection is without peer."--Choice. This collection of thirty-four major essays devoted to the theories, methods, and problems of myth criticism offers a convenient and substantial introduction to one of the most distinctive trends in contemporary literary study., This collection of thirty-four major essays devoted to the theories, methods, and problems of myth criticism offers a convenient and substantial introduction to one of the most distinctive trends in contemporary literary study. The essays (many of them previously uncollected) are arranged to lead from general considerations to analyses of specific authors. The four Part I selections constitute an informal survey of the views of myth and ritual taken by disciplines other than literature. In Part II the first six essays relate the concept of myth and ritual to general literary theory, while the final three evaluate the uses of myth in critical theory and practice. The twenty-one Part III essays, which apply myth criticism to individual literary works or authors, afford a representative sampling of the mythopoeic patterns discerned in literature from Home to Faulkner. Among the contributors are: David Bidney, Géza Róheim, Joseph Campbell, Clyde Kluckhohn, Stanley Hyman, Philip Wheelwright, Richard Chase, Harold Watts, Northrop Frye, Andrew Lytle, Philip Rahv, Francis Fergusson, Marvin Magalaner, John Lydenberg, and Harry Slochower., "Parts I and II are substantial and useful surveys of cultural and literary theory and its development, and are pretty well packed with suggestive general ideas. But for many readers the twenty-one essays of Part III, dealing with specific and more of less familiar works, may be the most provocative. These studies exemplify mythic criticism in action, in interpretations of a wide variety of authors and works, mainly of prose fiction. . . . This volume helps to consolidate the value and the diverse uses of myth for both artist and critic. . . . [Professor Vickery's] book should appeal both to the large body of the sophisticated and to what one may imagine as an also large number of people who have known that 'myth' has been very much in the air but have not been initiated into either philosophic theory or critical practice."--Douglas Bush, Harvard Educational Review. "A collection without parallel. . . . Whether for historical interest in the fads and fashions of literary study or as the best single source for an overview of the best that has been said about the subject in the past 20 years, this collection is without peer."--Choice. This collection of thirty-four major essays devoted to the theories, methods, and problems of myth criticism offers a convenient and substantial introduction to one of the most distinctive trends in contemporary literary study.

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