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Ireland, Enlightenment and the English Stage, 1740-1820 by David...
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Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
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eBay item number:235937942485
Item specifics
- Condition
- Country/Region of Manufacture
- Ireland
- ISBN
- 9781108498142
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
1108498140
ISBN-13
9781108498142
eBay Product ID (ePID)
17038691826
Product Key Features
Number of Pages
282 Pages
Language
English
Publication Name
Ireland, Enlightenment and the English Stage, 1740-1820
Subject
Modern / 18th Century, Drama, Europe / Great Britain / General, Europe / Ireland, European / English, Irish, Scottish, Welsh
Publication Year
2019
Type
Textbook
Subject Area
Literary Criticism, History
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
20.8 Oz
Item Length
9.3 in
Item Width
6.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
23
Reviews
"Ireland, Enlightenment and the English Stage makes a bold and necessary intervention in the field. Its essays shed important new light on the dynamic contribution to English theatrical culture made by a multitude of Irish practitioners and also productively challenge the foundations of what we take 'the Enlightenment' to be in relation to ideas of nation, cosmopolitanism, and cultural production." David Taylor, University of Warwick
Illustrated
Yes
Dewey Decimal
792.0941509033
Table Of Content
Introduction: staging an Irish Enlightenment David O'Shaughnessy; Part I. Representations and Resistance: 1. Straddling: London-Irish actresses and their characters Felicity Nussbaum; 2. John Johnstone and the possibilities of Irishness, 1783-1820 Jim Davis; 3. The diminution of 'Irish' Johnstone Oskar Cox Jensen; Part II. Symbiotic Stages: Dublin and London: 4. Midas, Kane O'Hara and the Italians: an interplay of comedy between London and Dublin Michael Burden; 5. Trading loyalties: Richard Brinsley Sheridan, The School for Scandal and the Irish propositions Robert W. Jones; 6. Sydney Owenson, Alicia Sheridan Le Fanu and the domestic stage of post-inion politics Colleen Taylor; Part III. Enlightened Perspectives: 7. Civility, patriotism and performance: Cato and the Irish history play David O'Shaughnessy; 8. From Ireland to Peru: Arthur Murphy's (anti)-imperial dramaturgy Bridget Orr; 9. The provincial commencement of James Field Stanfield Declan Mccormack; 10. Worlding the village: John O'Keeffe's 'Excentric' pastorals Helen Burke.
Synopsis
Scholars of eighteenth-century Britain, Ireland, and Enlightenment theatre will welcome this book as it uncovers the considerable contribution made by Irish actors and playwrights to Georgian English theatre. It connects Irish patriotism with new historiography, revealing how theatrical culture demanded political and economic autonomy., The theatre was a crucial forum for the representation of Irish civility and culture for the eighteenth-century English audience. Irish actors and playwrights, operating both as individuals and within networks, were remarkably popular and potent during this period, especially in London. As ideas of Enlightenment percolated throughout Britain and Ireland, Irish theatrical practitioners - actors, managers, playwrights, critics and journalists - exploited a growing receptivity to Irish civility, and advanced a patriot agenda of political and economic autonomy. Mobility, toleration and the capacity to negotiate multiple allegiances are marked features of this Irish theatrical Enlightenment, whose ambitious participants saw little conflict between their twin loyalties to the Crown and to Ireland. This collection of essays responds to recent work in the areas of eighteenth-century theatre studies, Irish studies and Enlightenment studies. The volume's discussions of genre, colonialism, gender, race, music, slavery, and dress open up new avenues of scholarship and research across disciplines.
LC Classification Number
PN2601.I745 2019
Item description from the seller
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