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Language of New Media by Lev Manovich (2001, Hardcover)
AlibrisBooks (463027)
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About this product
Product Identifiers
PublisherMIT Press
ISBN-100262133741
ISBN-139780262133746
eBay Product ID (ePID)1746646
Product Key Features
Book TitleLanguage of New Media
Number of Pages400 Pages
LanguageEnglish
TopicMethodology, General
Publication Year2001
IllustratorYes
GenrePerforming Arts, Social Science
AuthorLev Manovich
Book SeriesLeonardo Bks.
FormatHardcover
Dimensions
Item Height0.7 in
Item Weight71.3 Oz
Item Length9 in
Item Width7 in
Additional Product Features
Intended AudienceTrade
LCCN00-057882
Dewey Edition21
TitleLeadingThe
Dewey Decimal302.2
SynopsisA stimulating, eclectic account of new media that finds its origins in old media, particularly the cinema., In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media., A stimulating, eclectic accountof new media that finds its origins in old media, particularly the cinema. In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses new media's reliance on conventions of old media, such as the rectangular frame and mobile camera, and shows how new media works create the illusion of reality, address the viewer, and represent space. He also analyzes categories and forms unique to new media, such as interface and database. Manovich uses concepts from film theory, art history, literary theory, and computer science and also develops new theoretical constructs, such as cultural interface, spatial montage, and cinegratography. The theory and history of cinema play a particularly important role in the book. Among other topics, Manovich discusses parallels between the histories of cinema and of new media, digital cinema, screen and montage in cinema and in new media, and historical ties between avant-garde film and new media.
LC Classification NumberP96.T42M35 2000
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