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Bob Dylan Bringing It All Back Home Monaural Sealed MFSL 45RPM 2LP #0491/3000

Condition:
New
Price:
US $180.00
ApproximatelyAU $273.04
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Free Economy postage. See detailsfor delivery
Located in: Michigan, United States
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Estimated between Thu, 13 Jun and Sat, 15 Jun to 43230
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eBay item number:256494921299
Last updated on 29 Apr, 2024 10:36:39 AESTView all revisionsView all revisions

Item specifics

Condition
New: A brand-new, unused, unopened, undamaged item. See the seller's listing for full details. See all condition definitionsopens in a new window or tab
Speed
45 RPM
Type
LP
Record Grading
Sealed. Mint.
Language
English
Sleeve Grading
Sealed. Mint.
Record Size
12"
Features
Monaural, MFSL, 180-220 gram, Numbered, Original Cover, Original Inner Sleeve, Sealed
Country/Region of Manufacture
United States
Edition
Limited Edition, Numbered Edition, Reissue, Remastered
UPC
0821797246217
Artist
Bob Dylan
Format
Record
Release Year
2016
Record Label
Mobile Fidelity, Urb Group
Release Title
Bringing It All Back Home
Genre
Rock

About this product

Product Identifiers

Record Label
Mobile Fidelity, Urb Group
UPC
0821797246217
eBay Product ID (ePID)
14046063358

Product Key Features

Release Year
2016
Format
Record
Genre
Rock
Artist
Bob Dylan
Release Title
Bringing It All Back Home

Dimensions

Item Height
0.42in
Item Weight
1.75lb.
Item Length
12.67in
Item Width
12.33in

Additional Product Features

Number of Tracks
11
Country/Region of Manufacture
United States
Tracks
1.1 Subterranean Homesick Blues 1.2 She Belongs to Me 1.3 Maggie's Farm 1.4 Love Minus Zero/No Limit 1.5 Outlaw Blues 1.6 On the Road Again 1.7 Bob Dylan's 115th Dream 2.1 Mr. Tambourine Man 2.2 Gates of Eden 2.3 It's Alright, Ma (I'm Only Bleeding) 2.4 It's All Over Now, Baby Blue
Number of Discs
2
Notes
Limited Mobile Fidelity double 180gm vinyl LP edition of the mono version of this classic album pressed at 45RPM. Bring it all back home - in mono. Originally designed by the artist for mono listening, Bob Dylan's Bringing It All Back Home represents the moment that pop and rock music became their own art form, expressions finally treated with the same seriousness and respect as classical and jazz. Incalculably influential, the 1965 landmark established myriad benchmarks in songwriting, sound, artwork, and performance. It served the world notice that Dylan was no longer just the virtuoso visionary tuned into the wants of the folk community. It's a disarming broadcast that declares Dylan's surroundings and personality, and those of his audiences, whether they knew it or not, drastically changed. As part of it's Bob Dylan catalog restoration series, Mobile Fidelity is humbled to have the privilege of mastering the iconic album on it's world-renowned mastering system and pressing it on 45RPM LPs at RTI in it's original mono format. Strictly limited to just 3,000 copies, the end result is the very finest, most transparent analog mono edition of Bringing It All Back Home ever produced. Forever renowned for it's organic sound, the album's you-are-there-presence is fantastically enhanced on this superb version, with wider and deeper grooves affording playback of previously buried information. Since Bringing It All Back Home features the most instrumentation Dylan implemented in arrangements at that stage of his career, the set is undoubtedly vivid in stereo - particularly the electric half. Yet the Minnesota native paid particular attention to the mono mix, which here presents Dylan with unparalleled directness. The record's second half sounds especially genuine, lifelike, and intimate in mono. It paints listeners an incredibly accurate portrait of the attention-getting mass of acoustic-based sound - and features no artificial panning or echo chamber of it's stereo counterpart. Instead, you are immersed right into the music. Indeed, the sonics on this Mobile Fidelity reissue are so realistic, balanced, and tonally accurate that acoustic guitars resonate with the woody decay they do as when you strum them on your lap. Equally vivid are the textures of the drum skins, amplified pitch of the electric guitars, and ambient hum of the interior space of Columbia's Studio B. Both the plugged-in and acoustic sides claim a discerning level of microdynamics, spaciousness, imaging, and warmth that will send even the most rabid Dylan fans into a tizzy.

Item description from the seller

scooter673

scooter673

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2.4K items sold
Joined Dec 1998

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