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Comic Book Film Style: Cinema at 24 Panels per Second by Dru Jeffries (English)

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Last updated on 15 May, 2025 23:41:36 AESTView all revisionsView all revisions

Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
Comic Book Film Style
ISBN-13
9781477313251
ISBN
9781477313251

About this product

Product Identifiers

Publisher
University of Texas Press
ISBN-10
1477313257
ISBN-13
9781477313251
eBay Product ID (ePID)
236993499

Product Key Features

Number of Pages
270 Pages
Language
English
Publication Name
Comic Book Film Style : Cinema at 24 Panels Per Second
Subject
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Comics & Graphic Novels, Film / History & Criticism, Industries / Entertainment
Publication Year
2017
Type
Textbook
Author
Dru Jeffries
Subject Area
Literary Criticism, Performing Arts, Business & Economics
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
16 Oz
Item Length
9.3 in
Item Width
6.2 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2017-000691
Dewey Edition
23
Reviews
Comic Book Film Style is a wellresearched book that proves benefit to both scholars interested in indepth exploration of how comics have shaped our current film industry, as well as the lay researcher who has an interest in comics or filmmaking and wants to learn more about how the two work together to create the current state of media in our society., Comic Book Film Style is a wellresearched book that proves benefit to both scholars interested in indepth exploration of how comics have shaped our current film industry, as well as the lay researcher who has an interest in comics or filmmaking and wants to learn more about how the two work together to create the current state of media in our society., Comic Book Film Style extensively provides many new terms to explain the language of comics film style, from panel moments to compositional mimesis, and he follows each explanation with multiple examples, most of which include figures that directly visualize concepts at hand., Highly Recommended. With the emerging hegemony of the comic-book style in Hollywood adaptations, Jeffries astutely explores what he calls, repeatedly, the remediation of a particular aesthetic grounded in comics. . . [ Comic Book Film Style ] adds a fresh, provocative, illuminating voice to the ongoing negotiation of film style., Comic Book Film Style extensively provides many new terms to explain the language of comics film style, from panel moments to compositional mimesis, and he follows each explanation with multiple examples, most of which include figures that directly visualize concepts at hand., Comic Book Film Style is a well-researched book that proves benefit to both scholars interested in in-depth exploration of how comics have shaped our current film industry, as well as the lay researcher who has an interest in comics or film-making and wants to learn more about how the two work together to create the current state of media in our society.
Illustrated
Yes
Dewey Decimal
741.5/9
Table Of Content
Acknowledgments Introduction Chapter 1. The Six Modes of Interaction between Comics and Film Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame Chapter 4. The Privileged Instant: Remediating Stasis as Movement Chapter 5. The Polymedial Comic Book Film Conclusion Notes Bibliography Index
Synopsis
Superhero films and comic book adaptations dominate contemporary Hollywood filmmaking, and it is not just the storylines of these blockbuster spectacles that have been influenced by comics. The comic book medium itself has profoundly influenced how movies look and sound today, as well as how viewers approach them as texts. Comic Book Film Style explores how the unique conventions and formal structure of comic books have had a profound impact on film aesthetics, so that the different representational abilities of comics and film are put on simultaneous display in a cinematic work. With close readings of films including Batman: The Movie , American Splendor , Superman , Hulk , Spider-Man 2 , V for Vendetta , 300 , Scott Pilgrim vs. the World , Watchmen , The Losers , and Creepshow , Dru Jeffries offers a new and more cogent definition of the comic book film as a stylistic approach rather than a genre, repositioning the study of comic book films from adaptation and genre studies to formal/stylistic analysis. He discusses how comic book films appropriate comics' drawn imagery, vandalize the fourth wall with the use of graphic text, dissect the film frame into discrete panels, and treat time as a flexible construct rather than a fixed flow, among other things. This cinematic remediation of comic books' formal structure and unique visual conventions, Jeffries asserts, fundamentally challenges the classical continuity paradigm and its contemporary variants, placing the comic book film at the forefront of stylistic experimentation in post-classical Hollywood., Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
LC Classification Number
PN6725.J43 2017

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