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The Necessary Angel: Essays on Reality and the Imagination by Wallace Stevens

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eBay item number:284245185878
Last updated on 23 Jul, 2025 08:19:17 AESTView all revisionsView all revisions

Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Publication Date
1965-02-12
Pages
192
ISBN
9780394702780

About this product

Product Identifiers

Publisher
Knopf Doubleday Publishing Group
ISBN-10
0394702786
ISBN-13
9780394702780
eBay Product ID (ePID)
159419

Product Key Features

Book Title
Necessary Angel : Essays on Reality and the Imagination
Number of Pages
192 Pages
Language
English
Publication Year
1965
Topic
Poetry, American / General, Essays
Genre
Literary Criticism, Poetry, Literary Collections
Author
Wallace Stevens
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
5.2 Oz
Item Length
7.2 in
Item Width
4.3 in

Additional Product Features

Intended Audience
Trade
Reviews
"In this book, the first collection of his prose works, he accounts in scintillating language for the peculiarly modern and sometimes deliquescent fervor that has prompted his poems. Few poets have written so characteristically about their own craft." --Perspective--U.S.A. "These are rich essays, simply constructed yet richly and elegantly written." -- Hayden Carruth,The Nation "The most welcome attribute of the book is its humane good sense, equally manifest whether Stevens is discussing a desolate Pennsylvania churchyard. Plato's images or the personalities of those who prefer a drizzle in Venice to a hard rain in Hartford.''' --New Republic "It is a rare pleasure to breathe the atmosphere of confidence and wholeness which distinguishes the world of Wallace Stevens. Here we are refreshed by certainty without fragmentariness, by joyous possibilities without dishonesty. Here we find a moral and philosophical center through which reality may be repossessed and re-created with each new poetic act." -- C. Roland Wagner,The Hudson Review, "In this book, the first collection of his prose works, he accounts in scintillating language for the peculiarly modern and sometimes deliquescent fervor that has prompted his poems. Few poets have written so characteristically about their own craft." -- Perspective --U.S.A. "These are rich essays, simply constructed yet richly and elegantly written." -- Hayden Carruth, The Nation "The most welcome attribute of the book is its humane good sense, equally manifest whether Stevens is discussing a desolate Pennsylvania churchyard. Plato's images or the personalities of those who prefer a drizzle in Venice to a hard rain in Hartford.''' -- New Republic "It is a rare pleasure to breathe the atmosphere of confidence and wholeness which distinguishes the world of Wallace Stevens. Here we are refreshed by certainty without fragmentariness, by joyous possibilities without dishonesty. Here we find a moral and philosophical center through which reality may be repossessed and re-created with each new poetic act." -- C. Roland Wagner, The Hudson Review
TitleLeading
The
Dewey Decimal
808.1
Table Of Content
I. The Noble Rider and the Sound of Words II. The Figure of the Youth as Noble Poet III. Three Academic Pieces IV. About One of Marianne Moore's Poems V. Effects of Analogy VI. Imagination as Value VII. The Relations between Poetry and Painting
Synopsis
In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing "poetry itself, the naked poem, the imagination manifesting itself in its domination of words." Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination., In this collection of essays, consummate poet Wallace Stevens reflects upon his art. His aim is not to produce a work of criticism or philosophy, or a mere discussion of poetic technique. As he explains in his introduction, his ambition in these various pieces, published in different times and places, aimed higher than that, in the direction of disclosing poetry itself, the naked poem, the imagination manifesting itself in its domination of words. Stevens proves himself as eloquent and scintillating in prose as in poetry, as he both analyzes and demonstrates the essential act of repossessing reality through the imagination.

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