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Crossing Borders, George Wardlaw. 2012

US $15.00
ApproximatelyAU $23.14
Condition:
Like new
Postage:
US $5.22 (approx. AU $8.05) USPS Media MailTM.
Located in: Essex, Connecticut, United States
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Estimated between Fri, 29 Aug and Wed, 3 Sep to 94104
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eBay item number:286497531427

Item specifics

Condition
Like new: A book that looks new but has been read. Cover has no visible wear, and the dust jacket ...
ISBN
9780983967002

About this product

Product Identifiers

Publisher
Marshall Wilkes
ISBN-10
0983967008
ISBN-13
9780983967002
eBay Product ID (ePID)
159948701

Product Key Features

Book Title
George Wardlaw : Crossing Borders
Number of Pages
184 Pages
Language
English
Publication Year
2012
Topic
Individual Artists / General, Criticism & Theory, American / General
Illustrator
Yes
Genre
Art
Author
Suzette Mcavoy, Ori Z. Soltes, Richard J. Gruber
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
54.9 Oz
Item Length
11 in
Item Width
11.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2012-474258
Reviews
Responding to these formidableworks, one feels acutely keyed in to the artist's anima, a deeply inspiritingencounter.
Synopsis
The critical essays in this book characterize Wardlaw's work, placing it in context with the significant art movements of his time, beginning in1947 with non-objective painting and tracing his journey through six decades of art making.Never confined by categories, Wardlaw explores medium, form, scale, and color on his quest for creative and spiritual resolution. From his Baptist and Native American roots to Judaism, from the rural south to the urban northeast, from painting to sculpture and back again, Wardlaw produced series after series of profound artworks--an exploration across geographical, physical, intellectual, philosophical, and spiritual boundaries.Wardlaw was a member of the avant-garde art scene in New York City during the 1950s and 1960s and went on to become an important figure in American art, driven by his passion and desires rather than popular trends. His significant and impressive body of work reveals a unique story, both personal and universal, weaving one man's perspective into the larger canon of twentieth-century art., The critical essays in this book characterize Wardlaw's work, placing it in context with the significant art movements of his time, beginning in1947 with non-objective painting and tracing his journey through six decades of art making. Never confined by categories, Wardlaw explores medium, form, scale, and color on his quest for creative and spiritual resolution. From his Baptist and Native American roots to Judaism, from the rural south to the urban northeast, from painting to sculpture and back again, Wardlaw produced series after series of profound artworks--an exploration across geographical, physical, intellectual, philosophical, and spiritual boundaries. Wardlaw was a member of the avant-garde art scene in New York City during the 1950s and 1960s and went on to become an important figure in American art, driven by his passion and desires rather than popular trends. His significant and impressive body of work reveals a unique story, both personal and universal, weaving one man's perspective into the larger canon of twentieth-century art., This big, handsome book presents the work of American artist George Wardlaw (b.1927) in over 180 full-color plates and illustrations., The critical essays in this book characterize Wardlaw's work, placing it in context with the significant art movements of his time, beginning in1947 with non-objective painting and tracing his journey through six decades of art making.Never confined by categories, Wardlaw explores medium, form, scale, and color on his quest for creative and spiritual resolution. From his Baptist and Native American roots to Judaism, from the rural south to the urban northeast, from painting to sculpture and back again, Wardlaw produced series after series of profound artworks--an exploration across geographical, physical,intellectual, philosophical, and spiritual boundaries.Wardlaw was a member of the avant-garde art scene in New York City during the 1950s and 1960s and went on to become an important figure in American art, driven by his passion and desires rather than popular trends. His significant and impressive body of work reveals a unique story, both personal and universal, weaving one man's perspective into the larger canon of twentieth-century art.
LC Classification Number
N6537.W27G46 2012

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