Reviews
eoeA priceless collection of the war journalism of Syd Schanberg. Based in Southeast Asia, he was one of a tiny handful of reporters who remained behind to see the Khmer Rouge take over Phnom Penh and begin the Cambodian genocide. More recently, Schanberg's was among the few voices calling to account two U.S. senators, John McCain and John Kerry, both Vietnam veterans, for manipulating the findings of a special Senate committee to cover up the truth: that the Nixon White House, directed by President Nixon and his war planner, Henry Kissinger, left hundreds of living American POWs behind in the hands of their captors when we evacuated Vietnam. Schanberg's war writings offer lessons of great value in our conduct of todaye(tm)s wars without end. They remind us at once of bygone standards of journalistic excellence and the depths to which humanity can descend in times of war.e, eoeThere is a biblical quality to this story. What you have in this book is a tremendous, bone-chilling piece of eyewitness war correspondence. What makes it truly extraordinary, howevere"what makes it a transcendent and classic piece of war literaturee"is the story of the survival of Dith Pran and the deepening affection between two men from different worlds. Caught up in a war in which the vile and inhuman have become commonplace, two men are reborn by discovering the depths of their own humanity. In the end, they have won a personal victory over war itself.e, Sydney Schanberg is one of the greatest war correspondents of the twentieth century. His passion for Cambodia is outweighed only by his passion for the truth and for his dear friend and colleague Dith Pran. This book is a chilling historical document that lyrically captures some of the darkest periods in American-and human-history. It is both great journalism and great art., I recommend reading this remarkable book all at once, as I did. You'll learn things. You'll be fascinated and moved. It puts the reader where the reporter was and leaves you with an indelible picture of war as it is. The past-and the myriad, uncounted noncombatant victims of three wars-are brought back to life. Sydney Schanberg's writing matches the intensity of the stories he has to tell and makes you feel the hurt. 'This is what it's like. Look,' it says. 'Don't look away.' It's hard, necessary information., Sydney Schanberg is one of the greatest war correspondents of the twentieth century. His passion for Cambodia is outweighed only by his passion for the truth and for his dear friend and colleague Dith Pran. This book is a chilling historical document that lyrically captures some of the darkest periods in American-and human-history. It is both great journalism and great art.", There is a biblical quality to this story. What you have in this book is a tremendous, bone-chilling piece of eyewitness war correspondence. What makes it truly extraordinary, however-what makes it a transcendent and classic piece of war literature-is the story of the survival of Dith Pran and the deepening affection between two men from different worlds. Caught up in a war in which the vile and inhuman have become commonplace, two men are reborn by discovering the depths of their own humanity. In the end, they have won a personal victory over war itself., A priceless collection of the war journalism of Syd Schanberg. Based in Southeast Asia, he was one of a tiny handful of reporters who remained behind to see the Khmer Rouge take over Phnom Penh and begin the Cambodian genocide. More recently, Schanberg's was among the few voices calling to account two U.S. senators, John McCain and John Kerry, both Vietnam veterans, for manipulating the findings of a special Senate committee to cover up the truth: that the Nixon White House, directed by President Nixon and his war planner, Henry Kissinger, left hundreds of living American POWs behind in the hands of their captors when we evacuated Vietnam. Schanberg's war writings offer lessons of great value in our conduct of today's wars without end. They remind us at once of bygone standards of journalistic excellence and the depths to which humanity can descend in times of war., eoeI recommend reading this remarkable book all at once, as I did. Youe(tm)ll learn things. Youe(tm)ll be fascinated and moved. It puts the reader where the reporter was and leaves you with an indelible picture of war as it is. The paste"and the myriad, uncounted noncombatant victims of three warse"are brought back to life. Sydney Schanberge(tm)s writing matches the intensity of the stories he has to tell and makes you feel the hurt. e~This is what ite(tm)s like. Look,e(tm) it says. e~Done(tm)t look away.e(tm) Ite(tm)s hard, necessary information.e, eoeSydney Schanberg is one of the greatest war correspondents of the twentieth century. His passion for Cambodia is outweighed only by his passion for the truth and for his dear friend and colleague Dith Pran. This book is a chilling historical document that lyrically captures some of the darkest periods in Americane"and humane"history. It is both great journalism and great art.", I recommend reading this remarkable book all at once, as I did. You'll learn things. You'll be fascinated and moved. It puts the reader where the reporter was and leaves you with an indelible picture of war as it is. The past--and the myriad, uncounted noncombatant victims of three wars--are brought back to life. Sydney Schanberg's writing matches the intensity of the stories he has to tell and makes you feel the hurt. 'This is what it's like. Look,' it says. 'Don't look away.' It's hard, necessary information., There is a biblical quality to this story. What you have in this book is a tremendous, bone-chilling piece of eyewitness war correspondence. What makes it truly extraordinary, however--what makes it a transcendent and classic piece of war literature--is the story of the survival of Dith Pran and the deepening affection between two men from different worlds. Caught up in a war in which the vile and inhuman have become commonplace, two men are reborn by discovering the depths of their own humanity. In the end, they have won a personal victory over war itself., Sydney Schanberg is one of the greatest war correspondents of the twentieth century. His passion for Cambodia is outweighed only by his passion for the truth and for his dear friend and colleague Dith Pran. This book is a chilling historical document that lyrically captures some of the darkest periods in American--and human--history. It is both great journalism and great art.
