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Lucas Arruda: Deserto-Modelo. Arruda, Chancellor, Schwabsky 9781644230411 New*#

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ApproximatelyAU $81.24
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Last updated on 06 Jun, 2025 07:57:57 AESTView all revisionsView all revisions

Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
PublishedOn
2020-09-03
Title
Lucas Arruda: Deserto-Modelo
Artist
Not Specified
Type
Not Specified
Publication Name
Not Specified
ISBN
9781644230411

About this product

Product Identifiers

Publisher
Zwirner Books, David
ISBN-10
1644230410
ISBN-13
9781644230411
eBay Product ID (ePID)
11038621581

Product Key Features

Book Title
Lucas Arruda: Deserto-Modelo
Number of Pages
136 Pages
Language
English
Topic
Individual Artists / Monographs
Publication Year
2020
Genre
Art
Author
Barry Schwabsky, Lucas Arruda, Will Chancellor
Format
Hardcover

Dimensions

Item Height
0.7 in
Item Weight
31.3 Oz
Item Length
11.3 in
Item Width
8.6 in

Additional Product Features

Intended Audience
Trade
Reviews
Recalling the Romantic notion of the sublime, the striking landscapes and seascapes, often marked only by a faint horizon line, seem to radiate an intense, transcendent light from within., For Arruda, his landscape paintings are like portals that crack open white walls to uncharted territories that defy familiarity., Untitled (from the Deserto-Modelo series) , 2018, from the David Zwirner New York show listed as one of "the most beautiful artworks of 2019."
Synopsis
The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions. Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality. Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime. Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist., The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions. Lucas Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo and mostly painted at the break of day, they have an ephemeral, transient quality. Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, achieving instead their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime. Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book offers a detailed introduction to the work of a uniquely thoughtful and inventive artist.

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