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Chiaroscuro Woodcut in Renaissance Italy by Jonathan Bober (2018, Hardcover)
US $29.99
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Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
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US $7.63 (approx. AU $11.74) USPS Media MailTM.
Located in: North Hollywood, California, United States
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eBay item number:316702749021
Item specifics
- Condition
- Country/Region of Manufacture
- Italy
- ISBN
- 9783791357393
About this product
Product Identifiers
Publisher
Prestel Gmbh & Co KG.
ISBN-10
3791357395
ISBN-13
9783791357393
eBay Product ID (ePID)
240021584
Product Key Features
Book Title
Chiaroscuro Woodcut in Renaissance Italy
Number of Pages
288 Pages
Language
English
Publication Year
2018
Topic
Collections, Catalogs, Exhibitions / General, European, Prints, History / Renaissance
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
61.7 Oz
Item Length
11.3 in
Item Width
9.8 in
Additional Product Features
Intended Audience
Trade
LCCN
2018-005386
TitleLeading
The
Reviews
"Brimming with full-color illustrations of rare and beautiful works, The Chiaroscuro Woodcut in Renaissance Italy offers a fresh and informative interpretations of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance -- making it a critically important and highly recommended addition to personal, professional, community, college, and university libraries." - Midwest Book Review "Takahatake, the curator, offers a sharp surmise in the show's first-rate catalog:....The book is jam-packed with new, technically oriented scholarship and scientific analysis of the blocks, inks and paper used, which helps untangle the narrative of chiaroscuro printing's spread." - Los Angeles Times "The catalogue, beautifully illustrated with full-color images, is an important addition to the literature on printing." - College Art Association, "Brimming with full-color illustrations of rare and beautiful works, The Chiaroscuro Woodcut in Renaissance Italy offers a fresh and informative interpretations of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance -- making it a critically important and highly recommended addition to personal, professional, community, college, and university libraries." - Midwest Book Review "Takahatake, the curator, offers a sharp surmise in the show's first-rate catalog:....The book is jam-packed with new, technically oriented scholarship and scientific analysis of the blocks, inks and paper used, which helps untangle the narrative of chiaroscuro printing's spread." - Los Angeles Times
Dewey Edition
23
Dewey Decimal
769.94507479494
Synopsis
A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccolò Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art, The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book., A New York Times Best Art Book of 2018 The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccol Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance. Published in association with the Los Angeles County Museum of Art
LC Classification Number
NE1300.8.I8C49 2018
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