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Sequence As A Dialogue: Katja Stuke + Oliver Sieber - Paperback

US $11.00
ApproximatelyAU $17.13
Condition:
Brand new
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Located in: Conyers, Georgia, United States
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eBay item number:316981563677
Last updated on 19 Aug, 2025 05:30:59 AESTView all revisionsView all revisions

Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Narrative Type
Nonfiction
ISBN
9783862067640

About this product

Product Identifiers

Publisher
Druckverlag KETTLER Gmbh
ISBN-10
3862067645
ISBN-13
9783862067640
eBay Product ID (ePID)
8038707948

Product Key Features

Book Title
Sequence As a Dialogue
Number of Pages
56 Pages
Language
English
Publication Year
2019
Topic
Individual Photographers / General, Subjects & Themes / Lifestyles, Photoessays & Documentaries
Illustrator
Yes
Genre
Photography
Author
Nadja Imail, Oliver Sieber
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
7.5 Oz
Item Length
11 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
Synopsis
* A photographic exploration of the Japanese pop world and subculture Since they first traveled to Japan together in 2005, this country has been the key focus of the joint work of Katja Stuke and Oliver Sieber. The two photographers have been tracing the excesses in the country's subculture and pop scene and the pressures in Japanese society, while also seeking to explore urban structures and the interrelation between architectural and social barriers.Their photography is not about capturing a single image. Stuke and Sieber work in series and sequences. They create layers and mix materials, they take pictures of computer screens and posters, they construct a whole set of images and constellations, depicting various motifs with different media and equipment.The result has little to do with the traditional iconography of Japanese tea ceremonies and rock gardens. Stuke and Sieber are not interested in noble or nostalgic settings. In their photo series and compositions, Japan emerges as a country of tarmac roads and sidewalks, of power lines and garage doors, a country of flickering TV screens and virtual realities.This publication provides insights into the current oeuvre of the photographers and - in keeping with the spirit of their work method - is a mixture between monograph, artist book, and fanzine.Text in English and German., *A photographic exploration of the Japanese pop world and subculture Since they first traveled to Japan together in 2005, this country has been the key focus of the joint work of Katja Stuke and Oliver Sieber. The two photographers have been tracing the excesses in the country's subculture and pop scene and the pressures in Japanese society, while also seeking to explore urban structures and the interrelation between architectural and social barriers. Their photography is not about capturing a single image. Stuke and Sieber work in series and sequences. They create layers and mix materials, they take pictures of computer screens and posters, they construct a whole set of images and constellations, depicting various motifs with different media and equipment. The result has little to do with the traditional iconography of Japanese tea ceremonies and rock gardens. Stuke and Sieber are not interested in noble or nostalgic settings. In their photo series and compositions, Japan emerges as a country of tarmac roads and sidewalks, of power lines and garage doors, a country of flickering TV screens and virtual realities. This publication provides insights into the current oeuvre of the photographers and - in keeping with the spirit of their work method - is a mixture between monograph, artist book, and fanzine. Text in English and German., -A photographic exploration of the Japanese pop world and subculture Since they first traveled to Japan together in 2005, this country has been the key focus of the joint work of Katja Stuke and Oliver Sieber. The two photographers have been tracing the excesses in the country's subculture and pop scene and the pressures in Japanese society, while also seeking to explore urban structures and the interrelation between architectural and social barriers. Their photography is not about capturing a single image. Stuke and Sieber work in series and sequences. They create layers and mix materials, they take pictures of computer screens and posters, they construct a whole set of images and constellations, depicting various motifs with different media and equipment. The result has little to do with the traditional iconography of Japanese tea ceremonies and rock gardens. Stuke and Sieber are not interested in noble or nostalgic settings. In their photo series and compositions, Japan emerges as a country of tarmac roads and sidewalks, of power lines and garage doors, a country of flickering TV screens and virtual realities. This publication provides insights into the current oeuvre of the photographers and - in keeping with the spirit of their work method - is a mixture between monograph, artist book, and fanzine. Text in English and German.

Item description from the seller

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