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GERMAN MODERNISM: MUSIC AND THE ARTS By Walter Frisch - Hardcover **Excellent** - Picture 1 of 1
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GERMAN MODERNISM: MUSIC AND THE ARTS By Walter Frisch - Hardcover **Excellent**

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ApproximatelyAU $72.06
Condition:
Very good
“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ”... Read moreabout condition
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eBay item number:335344866208
Last updated on 30 May, 2024 08:00:22 AESTView all revisionsView all revisions

Item specifics

Condition
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Book is in Very Good Condition.  Text will be unmarked.  May show some signs of use or wear. Will ...
ISBN-10
0520243013
Book Title
German Modernism: Music and the Arts
ISBN
9780520243019
Subject Area
Music, Art
Publication Name
German Modernism : Music and the Arts
Publisher
University of California Press
Item Length
9 in
Subject
History & Criticism, Genres & Styles / Classical, European, Ethnic, History / General
Publication Year
2005
Series
California Studies in 20th-Century Music Ser.
Type
Textbook
Format
Hardcover
Language
English
Item Height
1.1 in
Author
Walter Frisch
Item Weight
17.5 Oz
Item Width
6 in
Number of Pages
332 Pages

About this product

Product Identifiers

Publisher
University of California Press
ISBN-10
0520243013
ISBN-13
9780520243019
eBay Product ID (ePID)
30765396

Product Key Features

Number of Pages
332 Pages
Publication Name
German Modernism : Music and the Arts
Language
English
Publication Year
2005
Subject
History & Criticism, Genres & Styles / Classical, European, Ethnic, History / General
Type
Textbook
Author
Walter Frisch
Subject Area
Music, Art
Series
California Studies in 20th-Century Music Ser.
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
17.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2004-012678
Dewey Edition
22
Series Volume Number
3
Illustrated
Yes
Dewey Decimal
780/.943/09034
Table Of Content
Acknowledgments Introduction 1. Ambivalent Modernism: Perspectives from the 1870s and 1880s 2. German Naturalism 3. Convergences: Music and the Visual Arts 4. Bach, Regeneration, and Historicist Modernism 5. Ironic Germans 6. Dancing in Chains: Strauss, Hofmannsthal, Pfitzner, and Their Musical Pasts Notes Bibliography of Works Cited Index
Synopsis
In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere. Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later 1870s through World War I were transitional between late romanticism and high modernism. Drawing on a wide range of examples across different media, he establishes a cultural and intellectual context for late Richard Wagner, Richard Strauss, Gustav Mahler, and Arnold Schoenberg, as well as their less familiar contemporaries Eugen d'Albert, Hans Pfitzner, Max Reger, Max von Schillings, and Franz Schreker. Frisch explores "ambivalent" modernism in the last quarter of the nineteenth century as reflected in the attitudes of, and relationship between, Nietzsche and Wagner. He goes on to examine how naturalism, the first self-conscious movement of German modernism, intersected with musical values and practices of the day. He proposes convergences between music and the visual arts in the works of Brahms, Max Klinger, Schoenberg, and Kandinsky. Frisch also explains how, near the turn of the century, composers drew inspiration and techniques from music of the past--the Renaissance, Bach, Mozart, and Wagner. Finally, he demonstrates how irony became a key strategy in the novels and novellas of Thomas Mann, the symphonies of Mahler, and the operas of Strauss and Hofmannsthal.
LC Classification Number
2004012678

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