Paris As Revolution : Writing in the Nineteenth-Century City by Priscilla Parkhurst Ferguson (1997, Trade Paperback)

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PARIS AS REVOLUTION: WRITING THE NINETEENTH-CENTURY CITY By Priscilla Parkhurst Ferguson **Mint Condition**.

About this product

Product Identifiers

PublisherUniversity of California Press
ISBN-100520208870
ISBN-139780520208872
eBay Product ID (ePID)554941

Product Key Features

Number of Pages267 Pages
Publication NameParis As Revolution : Writing in the Nineteenth-Century City
LanguageEnglish
Publication Year1997
SubjectEuropean / French, Europe / France, Sociology / General, European / General, Subjects & Themes / Historical events, General, Subjects & Themes / Politics, Subjects & Themes / General
TypeTextbook
AuthorPriscilla Parkhurst Ferguson
Subject AreaLiterary Criticism, Social Science, History
FormatTrade Paperback

Dimensions

Item Height0.3 in
Item Weight16.8 Oz
Item Length9 in
Item Width6 in

Additional Product Features

Intended AudienceScholarly & Professional
LCCN93-044374
Dewey Edition20
IllustratedYes
Dewey Decimal843/.709324436
SynopsisIn nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Valls, and others, alongside the novels of Flaubert, Hugo, Valls, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence., In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography,Paris as Revolution"reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, VallÈs, and others, alongside the novels of Flaubert, Hugo, VallÈs, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence., In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Valles, and others, alongside the novels of Flaubert, Hugo, Valles, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence.

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