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Into the Groove : Popular Music and Contemporary German Fiction, Hardcover by...
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eBay item number:355515726584
Item specifics
- Condition
- Book Title
- Into the Groove : Popular Music and Contemporary German Fiction
- ISBN
- 9781571139184
- Publication Year
- 2015
- Series
- Studies in German Literature Linguistics and Culture Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Into the Groove : Popular Music and Contemporary German Fiction
- Item Height
- 0.9in
- Item Length
- 9.4in
- Publisher
- Boydell & Brewer, Incorporated
- Item Width
- 6.5in
- Number of Pages
- 282 Pages
About this product
Product Information
A new and wide-ranging view of the confluence, since the 1990s, of the fields of contemporary literature and popular music in Germany.
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
1571139184
ISBN-13
9781571139184
eBay Product ID (ePID)
202822028
Product Key Features
Publication Name
Into the Groove : Popular Music and Contemporary German Fiction
Format
Hardcover
Language
English
Publication Year
2015
Series
Studies in German Literature Linguistics and Culture Ser.
Type
Textbook
Number of Pages
282 Pages
Dimensions
Item Length
9.4in
Item Height
0.9in
Item Width
6.5in
Additional Product Features
Series Volume Number
159
Lc Classification Number
Pt749.M87h87 2015
Volume Number
Vol. 159
Reviews
Hurley displays the most thorough knowledge of his subject in all its complexities and equally of the large corpus of secondary literature. Furthermore, he combines his exemplary scholarship with a readable style. [.] Hurley is to be congratulated on a volume, which is suitable for all those interested in the subject. Even those already knowledgeable are likely to discover something new and worthwhile. Stuart Parkes, JOURNAL OF CONTEMPORARY EUROPEAN STUDIES [O]ffers a lucid and compelling account of the symbiotic relation between written literature and popular music [..] a complex and wide-ranging study. This reader is already finding references to Hurley's study in the footnotes of scholars and research students working on this topic. As such it will and should be seen as an important contribution to an increasingly important field. JOURNAL OF EUROPEAN STUDIES [A] good introduction for English-speaking readers interested in the intersections between German literature and conceptualizations of "pop." . . . The book is well researched and successfully situates Popliteratur in the context of word-and-music studies. It is a serious study of a phenomenon that has not received enough attention, at least in English-language scholarship. Hurley firmly establishes fruitful connections between literary studies and popular music studies and provides a nuanced discussion of post-1960s and post-reunification national identity in Germany. MONATSHEFTE Andrew Wright Hurley's Into the Groove provides a substantial and comprehensive account of the intersecting spheres of popular music and contemporary German literature. . . . The most interesting chapter describes attempts of several writers to transfer formal principles of electronic music to literary writing by, for example, writing as if using a mixing desk, "sampling" and manipulating textual material from the historical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yieldingstorical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yieldingstorical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yieldingstorical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yielding] a thorough, knowledgeable, detailed, well organized, and highly readable account of current German pop-musico-literary relations. MODERN LANGUAGE REVIEW [Karoline Johanna Baumann], Hurley displays the most thorough knowledge of his subject in all its complexities and equally of the large corpus of secondary literature. Furthermore, he combines his exemplary scholarship with a readable style. [.] Hurley is to be congratulated on a volume, which is suitable for all those interested in the subject. Even those already knowledgeable are likely to discover something new and worthwhile. Stuart Parkes, JOURNAL OF CONTEMPORARY EUROPEAN STUDIES [O]ffers a lucid and compelling account of the symbiotic relation between written literature and popular music [..] a complex and wide-ranging study. This reader is already finding references to Hurley's study in the footnotes of scholars and research students working on this topic. As such it will and should be seen as an important contribution to an increasingly important field. JOURNAL OF EUROPEAN STUDIES [A] good introduction for English-speaking readers interested in the intersections between German literature and conceptualizations of "pop." . . . The book is well researched and successfully situates Popliteratur in the context of word-and-music studies. It is a serious study of a phenomenon that has not received enough attention, at least in English-language scholarship. Hurley firmly establishes fruitful connections between literary studies and popular music studies and provides a nuanced discussion of post-1960s and post-reunification national identity in Germany. MONATSHEFTE Andrew Wright Hurley's Into the Groove provides a substantial and comprehensive account of the intersecting spheres of popular music and contemporary German literature. . . . The most interesting chapter describes attempts of several writers to transfer formal principles of electronic music to literary writing by, for example, writing as if using a mixing desk, "sampling" and manipulating textual material from the historical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yielding] a thorough, knowledgeable, detailed, well organized, and highly readable account of current German pop-musico-literary relations. MODERN LANGUAGE REVIEW [Karoline Johanna Baumann], Andrew Wright Hurley's Into the Groove provides a substantial and comprehensive account of the intersecting spheres of popular music and contemporary German literature. . . . The most interesting chapter describes attempts of several writers to transfer formal principles of electronic music to literary writing by, for example, writing as if using a mixing desk, 'sampling' and manipulating textual material from the historical archive, or trying to render verbally minimal techno's repetitive, nonlinear, and non-teleological structure. . . . Hurley has compiled a wealth of primary and secondary literature on the subject, [yielding] a thorough, knowledgeable, detailed, well organized, and highly readable account of current German pop-musico-literary relations.
Table of Content
AcknowledgmentsIntroductionPreludes and Returns: Popular Music, the '68 Generation, and the Literarization of the JukeboxEnter the Double Agent: The German Popular Musician as NovelistTechno-Lit: Electronica and Its Impacts on FictionAnalogue is Better: Rock- and Pop-centric LiteratureAfter the GDR's "Musical Niche Society"? Popular Music in the Literature of Thomas BrussigThe Gendering of Popular Music in the Novels of Karen Duve and Kerstin GretherConclusion: Out of the Groove?BibliographyIndex
Copyright Date
2015
Target Audience
Scholarly & Professional
Topic
European / German, Popular Culture, Books & Reading, Subjects & Themes / General, Genres & Styles / Pop Vocal
Lccn
2014-042953
Dewey Decimal
833/.92093578
Dewey Edition
23
Illustrated
Yes
Genre
Literary Criticism, Music, Social Science
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