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Keith Haring's Line : Race and the Performance of Desire, Paperback by Montez...
US $31.71
ApproximatelyAU $47.98
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3 available
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Located in: Jessup, Maryland, United States
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Estimated between Wed, 3 Jul and Mon, 15 Jul to 43230
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eBay item number:363634231778
Item specifics
- Condition
- Book Title
- Keith Haring's Line : Race and the Performance of Desire
- ISBN
- 9781478009535
- Subject Area
- Art, Social Science
- Publication Name
- Keith Haring's Line : Race and the Performance of Desire
- Publisher
- Duke University Press
- Item Length
- 9 in
- Subject
- History / Contemporary (1945-), Individual Artists / Monographs, General, Lgbt Studies / Gay Studies
- Publication Year
- 2020
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Weight
- 10.4 Oz
- Item Width
- 6 in
- Number of Pages
- 168 Pages
About this product
Product Identifiers
Publisher
Duke University Press
ISBN-10
1478009535
ISBN-13
9781478009535
eBay Product ID (ePID)
14038661427
Product Key Features
Number of Pages
168 Pages
Language
English
Publication Name
Keith Haring's Line : Race and the Performance of Desire
Subject
History / Contemporary (1945-), Individual Artists / Monographs, General, Lgbt Studies / Gay Studies
Publication Year
2020
Type
Textbook
Subject Area
Art, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
10.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2019-050672
Reviews
Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan DuBose and the graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., A well-written and carefully elaborated study of Keith Haring and the cultural politics of race and desire that spans beyond Haring. Ricardo Montez's careful reading of different 'scenes' of interracial desire allows the reader to get close to the nuances of the power dynamics played out within them. Original and compelling., Keith Haring's Line is neither a biography nor a general assessment of Haring's work as an artist. Rather, it is a queer musing upon the intersections of sex and race in Haring's work. . . . Montez writes with authority about photography, art, and queer theory, but the passion of this book lies in its interrogation of sex and race., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan Dubose and graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., Montez's book is a welcome addition to a constellation of projects--some foundational, others newer--that pay fuller, much-needed attention to the exchanges between race and queer desire in New York City's 'Downtown scene' of the early 1980s.... Like Haring's line, Montez's prose is crisp and decisive. In this final chapter and throughout his readings, his beautiful writing invites readers to rethink our scholarly machines, to reimagine what critical writing and our theory-landed prose can do. Keith Haring's Line places its author's affective investments on full display., Keith Haring's Line exudes political and aesthetic friction, impressively threading many entry points and tactics. Following in the legacy of his late mentor José Esteban Muñoz (to whom the book is dedicated), Montez brings deliberate specificity to the ubiquitous figure of Haring. By exposing and avoiding the trappings of linearity, singularity, and script, Montez is instead able to present vulnerability, fluidity, and flesh., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Montez's writing does justice to so many neglected figures (like Juan Dubose and the graffiti artist LA II) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world., Keith Haring's Line is a brilliant, engaging, and necessary book. Centering the story of Haring's line on the queer people of color with whom Haring collaborated, Ricardo Montez gifts the reader with an intensely productive vocabulary for naming and exploring the relational dynamics that define the practices of a number of artists working across incommensurate forms of difference. Monte's writing does justice to so many neglected figures (like Juan DuBose and the graffiti artist LA2) and importantly situates Haring's practice in relationship to performance-centered scenes of the 1970s and 1980s. This is not only the definitive take on Haring, it is the book on Haring's world.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
700.92
Table Of Content
List of Illustrations ix Acknowledgments xi Introduction. The Call of the Impossible Figure 1 1. Desire in Transit: Writing It Out in New York City 31 2. "Trade' Marks: LA II and a Queer Economy of Exchange 61 3. Theory Made Flesh?: Keeping Up with Grace Jones 83 4. Drips, Rust, and Residue: Forms of Longing 109 Notes 135 Bibliography 141 Index 145
Synopsis
Ricardo Montez traces the drawn and painted line that was at the center of Keith Haring's artistic practice, engaging with Haring's messy relationships to race-making and racial imaginaries., In the thirty years since his death, Keith Haring--a central presence on the New York downtown scene of the 1980s--has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring's artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring's artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring's Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring's life and art. Examining Haring's engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring's messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.
LC Classification Number
N6537.H348M66 2020
Copyright Date
2020
ebay_catalog_id
4
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eBay item number:363634231778
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