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Aftershocks of the New: Feminism and Film History by Patrice Petro: Used
US $23.80
ApproximatelyAU $36.54
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
- Buy It NowAftershocks of the New: Feminism and Film History by Patrice Petro: Used
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eBay item number:364966544355
Item specifics
- Condition
- Book Title
- Aftershocks of the New: Feminism and Film History
- Publication Date
- 2001-11-01
- Pages
- 232
- ISBN
- 9780813529967
About this product
Product Identifiers
Publisher
Rutgers University Press
ISBN-10
0813529964
ISBN-13
9780813529967
eBay Product ID (ePID)
1884581
Product Key Features
Number of Pages
232 Pages
Publication Name
Aftershocks of the New : Feminism and Film History
Language
English
Subject
Feminism & Feminist Theory, Anthropology / Cultural & Social, Women's Studies, Film / History & Criticism
Publication Year
2001
Type
Textbook
Subject Area
Performing Arts, Social Science
Series
New Directions in International Studies
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2001-019803
Dewey Edition
21
Reviews
Patrice Petro's Aftershocks of the New is unified by a focus on the connection between feminist film criticism and historical research. It also invokes a history of the film studies discipline as she rehearses and comments upon some of the major debates in the field over the past two decades. - Lucy Fischer, director of the film studies program, University of Pittsburgh, Patrice PetroÆs Aftershocks of the New is unified by a focus on the connection between feminist film criticism and historical research. It also invokes a history of the film studies discipline (including television) as she rehearses and comments upon some of the major debates in the field over the past two decades., In this vibrant collection of essays, Patrice Petro draws on her capacious understanding of feminist theory and German film theory to articulate what is, was, and should be at stake in our interpretive practices. Whether analyzing the disorienting photomontages of Hannah H÷ch, the disturbing portraits of Otto Dix, or the charged performance of Marlene Dietrich in Blonde Venus, Petro remains firmly in command of historical contexts, theoretical implications, and ideological consequences.
Illustrated
Yes
Dewey Decimal
791.43/082
Table Of Content
Introduction The "place" of television in film studies Feminism and film history German film theory and Anglo-American film studies After shock, between boredom and history Historical ennui, feminist boredom World weariness, Weimar women, and visual culture Nazi cinema at the intersection of the classical and the popular The Hottentot and the Blonde Venus Film feminism and nostalgia for the seventies
Synopsis
The beginning of this century has brought with it a host of assumptions about the newness of our technologies, globalized economies, and transnational media practices. Our own time is a period marked by experiences of fragmentation, sensation, and shock. The essays here are joined by a common concern to chart another side to modernity--precisely after the shock of the new--when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the everyday. Patrice Petro explores how the mechanisms of modernism, German cinema, and feminist film theory have evolved, and she discusses the directions in which they are headed. Petro's essays--some published here for the first time--raise such questions as: What roles do television and other media play in film studies? What is the place of feminist film theory in our conceptions of film history? How is German film theory situated within international film theory? Rather than continue to sensationalize sensation, Aftershocks of the New aims to lower the volume of debates over the place of cinema within the culture of modernity. And it accomplishes this by locating them within a more complex matrix of contending sensibilities, voices, and impulses., The beginning of this century has brought with it a host of assumptions about the newness of our technologies, globalized economies, and transnational media practices. Our own time is a period marked by experiences of fragmentation, sensation, and shock. The essays here are joined by a common concern to chart another side to modernity-precisely after the shock of the new-when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the everyday. Patrice Petro explores how the mechanisms of modernism, German cinema, and feminist film theory have evolved, and she discusses the directions in which they are headed. Petro's essays-some published here for the first time-raise such questions as: What roles do television and other media play in film studies? What is the place of feminist film theory in our conceptions of film history? How is German film theory situated within international film theory? Rather than continue to sensationalize sensation, Aftershocks of the New aims to lower the volume of debates over the place of cinema within the culture of modernity. And it accomplishes this by locating them within a more complex matrix of contending sensibilities, voices, and impulses., The beginning of this century has brought with it a host of assumptions about the newness of our technologies, globalized economies, and transnational media practices. Our own time is a period marked by experiences of fragmentation, sensation, and shock. The essays here are joined by a common concern to chart another side to modernity?precisely after the shock of the new?when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the everyday. Patrice Petro explores how the mechanisms of modernism, German cinema, and feminist film theory have evolved, and she discusses the directions in which they are headed. Petro?s essays?some published here for the first time?raise such questions as: What roles do television and other media play in film studies? What is the place of feminist film theory in our conceptions of film history? How is German film theory situated within international film theory? Rather than continue to sensationalize sensation, Aftershocks of the New aims to lower the volume of debates over the place of cinema within the culture of modernity. And it accomplishes this by locating them within a more complex matrix of contending sensibilities, voices, and impulses., The beginning of this century has brought with it a host of assumptions about the newness of our technologies, globalized economies, and transnational media practices. Our own time is a period marked by experiences of fragmentation, sensation, and shock. The essays here are joined by a common concern to chart another side to modernity--precisely after the shock of the new--when the new ceases to be shocking, and when the extraordinary and the sensational become linked to the boring and the everyday. Patrice Petro explores how the mechanisms of modernism, German cinema, and feminist film theory have evolved, and she discusses the directions in which they are headed.
LC Classification Number
PN1995
Item description from the seller
Seller feedback (514,773)
- m***m (2307)- Feedback left by buyer.Past 6 monthsVerified purchaseI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (51)- Feedback left by buyer.Past 6 monthsVerified purchaseMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (95)- Feedback left by buyer.Past 6 monthsVerified purchaseseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.
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Seller feedback (514,773)
- m***m (2307)- Feedback left by buyer.Past 6 monthsVerified purchaseI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (51)- Feedback left by buyer.Past 6 monthsVerified purchaseMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (95)- Feedback left by buyer.Past 6 monthsVerified purchaseseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.