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Dancing Revelations: Alvin Ailey's Embodiment of African American Culture by Tho

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Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9780195301717
Type
Does not apply
ISBN
9780195301717

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195301714
ISBN-13
9780195301717
eBay Product ID (ePID)
63660406

Product Key Features

Book Title
Dancing Revelations : Alvin Ailey's Embodiment of African American Culture
Number of Pages
620 Pages
Language
English
Topic
Dance / Regional & Ethnic, Entertainment & Performing Arts, Ethnic Studies / African American Studies
Publication Year
2006
Illustrator
Yes
Genre
Performing Arts, Social Science, Biography & Autobiography
Author
Thomas F. Defrantz
Format
Perfect

Dimensions

Item Height
0.9 in
Item Weight
19.1 Oz
Item Length
5.9 in
Item Width
9.1 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Reviews
"In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccablepiece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement, "In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement "Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine "DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice, Specialists in dance will find it a provocative analysis of Ailey and his contributions to American modern dance., "In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine"DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice, "Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny.Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and theirmeaning. An important volume for anyone interested in the history of dance,African American culture, and how modern dance is viewed around the worldtoday."--Donald Byrd, choreographer and Artistic Director, Spectrum DanceTheater, "InDancing Revelations: Alvin Ailey's embodiment of African American culture,Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars, and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement "Dancing Revelationsis an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine "DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice "Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance.Dancing Revelationsis a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director,Ailey II "Alvin Ailey founded America's most famous dance company and created inRevelationsits best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly textured exploration of the Ailey legacy. The scholarship is impeccable, the analysis profound.Dancing Revelationsis superb. Bravo!"--Richard A. Long, author,The Black Tradition in American Dance "Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around the world today."--Donald Byrd, choreographer and Artistic Director,Spectrum Dance Theater, "Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around theworld today."--Donald Byrd, choreographer and Artistic Director, Spectrum Dance Theater, "DeFrantz's study...is not the first book about the protean Ailey, who wasborn in hardscrabble Texas in 1931 and died in 1989 after creating close to 80works. But it is perhaps the most comprehensive, combining biography, criticism,the analysis of dance criticism, and a sort of corporate history, siting the nowfirmly established Alvin Ailey American Dance Theater in the internationalcultural landscape."--Village Voice, "In Dancing Revelations: Alvin Ailey's Embodiment of African AmericanCulture, Thomas F. DeFrantz sets out to provide an appraisal of one of the mostimportant figures in the short history of American modern dance, as well as a'stabilizing narrative' of his work. The result is an impeccable piece of dancescholarship--one that achieves its objectives and affirms Ailey's contributionto the African-American cultural canon...Dance students, scholars, and Aileyenthusiasts will all value this groundbreaking study."--Times LiterarySupplement, "Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine, "Alvin Ailey was a warm and generous mentor and friend. He was also anartistic genius of the dance. Dancing Revelations is a valuable resource foreveryone who has enjoyed a performance by the Alvin Ailey Aemerican DanceTheater."--Sylvia Waters, Artistic Director, Ailey II, "Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance. Dancing Revelations is a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director, Ailey II, "DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporatehistory, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice, "Alvin Ailey founded America's most famous dance company and created in Revelations its best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly texturedexploration of the Ailey legacy. The scholarship is impeccable, the analysis profound. Dancing Revelations is superb. Bravo!"--Richard A. Long, author, The Black Tradition in American Dance, "In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars,and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine"DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice"In Dancing Revelations: Alvin Ailey's Embodiment of African American Culture, Thomas F. DeFrantz sets out to provide an appraisal of one of the most important figures in the short history of American modern dance, as well as a 'stabilizing narrative' of his work. The result is an impeccable piece of dance scholarship--one that achieves its objectives and affirms Ailey's contribution to the African-American cultural canon...Dance students, scholars,and Ailey enthusiasts will all value this groundbreaking study."--Times Literary Supplement"Dancing Revelations is an enjoyable read, not only for those concerned with Ailey's dances as they relate to larger struggles within American society, but for anyone who loves the art and artist."--Dance Magazine"Specialists in dance will find it a provocative analysis of Ailey and his contributions to American modern dance.""DeFrantz's study...is not the first book about the protean Ailey, who was born in hardscrabble Texas in 1931 and died in 1989 after creating close to 80 works. But it is perhaps the most comprehensive, combining biography, criticism, the analysis of dance criticism, and a sort of corporate history, siting the now firmly established Alvin Ailey American Dance Theater in the international cultural landscape."--Village Voice"Alvin Ailey was a warm and generous mentor and friend. He was also an artistic genius of the dance. Dancing Revelations is a valuable resource for everyone who has enjoyed a performance by the Alvin Ailey Aemerican Dance Theater."--Sylvia Waters, Artistic Director, Ailey II"Alvin Ailey founded America's most famous dance company and created in Revelations its best known dance composition. Our wish for an appraisal of Ailey the artist and for a probing analysis of his choreography has been brilliantly answered by Thomas DeFrantz in this richly textured exploration of the Ailey legacy. The scholarship is impeccable, the analysis profound. Dancing Revelations is superb. Bravo!"--Richard A. Long, author, TheBlack Tradition in American Dance"Surely Alvin Ailey's Choreographic Legacy deserves serious scrutiny. Finally, Thomas DeFrantz offers a complete analysis of Ailey's dances and their meaning. An important volume for anyone interested in the history of dance, African American culture, and how modern dance is viewed around the world today."--Donald Byrd, choreographer and Artistic Director, Spectrum Dance Theater
Dewey Decimal
792.8/028/092 B
Table Of Content
ContentsPrefaceAcknowledgementsIntroductionRevelations 1962Early DancesEarly CompanyRevelations II 1969Touring, Touring, TouringReflecting a Spectrum of ExperienceOther DancesAiley Celebrates EllingtonAiley's Construction of Gender and SpectatorshipLater DancesConcluding MovesAppendix: Choreography by Alvin AileyBibliographyIndex
Synopsis
In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations , Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations , drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution. Throughout Dancing Revelations , DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies., In the early 1960s, the Alvin Ailey American Dance Theater was a small, multi-racial company of dancers that performed the works of its founding choreographer and other emerging artists. By the late 1960s, the company had become a well-known African American artistic group closely tied to the Civil Rights struggle. In Dancing Revelations, Thomas DeFrantz chronicles the troupe's journey from a small modern dance company to one of the premier institutions of African American culture. He not only charts this rise to national and international renown, but also contextualizes this progress within the civil rights, women's rights, and gay rights struggles of the late 20th century. DeFrantz examines the most celebrated Ailey dances, including Revelations, drawing on video recordings of Ailey's dances, published interviews, oral histories, and his own interviews with former Ailey company dancers. Through vivid descriptions and beautiful illustrations, DeFrantz reveals the relationship between Ailey's works and African American culture as a whole. He illuminates the dual achievement of Ailey as an artist and as an arts activist committed to developing an African American presence in dance. He also addresses concerns about how dance performance is documented, including issues around spectatorship and the display of sexuality, the relationship of Ailey's dances to civil rights activism, and the establishment and maintenance of a successful, large-scale Black Arts institution. Throughout Dancing Revelations, DeFrantz illustrates how Ailey combined elements of African dance with motifs adapted from blues, jazz, and Broadway to choreograph his dances. By re-interpreting these tropes of black culture in his original and well-received dances, DeFrantz argues that Ailey played a significant role in defining the African American cultural canon in the twentieth century. As the first book to examine the cultural sources and cultural impact of Ailey's work, Dancing Revelations is an important contribution to modern dance history and criticism as well as African-American studies., In Dancing Revolutions, Thomas DeFrantz chronicles the Alvin Ailey Dance Theatre's journey from small modern dance company to one of the premier institutions of African-American culture. DeFrantz charts the troupe's rise to national and international renown and contextualizes its progress within the civil rights, women's rights and gay rights struggles of the late 20th century. In addition, DeFrantz analyses all the major dances in the Ailey repertoire, examining the relationship between those works and African-American culture as a whole.
LC Classification Number
  GV1785.T32

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