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The Mexican American Orquesta: Music, Culture, and the Dialectic of Conflict, ,

US $14.04
ApproximatelyAU $21.09
Condition:
Very good
first edition
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Last updated on 23 Jun, 2024 12:13:02 AESTView all revisionsView all revisions

Item specifics

Condition
Very good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller notes
“first edition”
Book Title
The Mexican American Orquesta: Music, Culture, and the Dialectic
ISBN
9780292765870
EAN
9780292765870
Subject Area
Music, Social Science
Publication Name
Mexican American Orquesta : Music, Culture, and the Dialectic of Conflict
Publisher
University of Texas Press
Item Length
9 in
Subject
Ethnic Studies / Hispanic American Studies, Genres & Styles / General, Customs & Traditions, Ethnic, Genres & Styles / Pop Vocal
Publication Year
1999
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Manuel Peña
Item Weight
16 Oz
Item Width
6 in
Number of Pages
364 Pages

About this product

Product Identifiers

Publisher
University of Texas Press
ISBN-10
0292765878
ISBN-13
9780292765870
eBay Product ID (ePID)
655424

Product Key Features

Number of Pages
364 Pages
Language
English
Publication Name
Mexican American Orquesta : Music, Culture, and the Dialectic of Conflict
Publication Year
1999
Subject
Ethnic Studies / Hispanic American Studies, Genres & Styles / General, Customs & Traditions, Ethnic, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science
Author
Manuel Peña
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
16 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
99-006098
Reviews
"There is no comparable study to this one. PeÑa is without question the outstanding student of Mexican-American music. . . . He has written the definitive study of the orquesta." -Mario T. GarcÍa, Professor of History and Chicano Studies, University of California, Santa Barbara
Illustrated
Yes
Dewey Decimal
781.64/089/6872079
Table Of Content
Acknowledgments Prelude: Music, Culture, and Dialectical Interpretation Exposition: Mexicans and Anglos in the Southwest: The Dialectic of Conflict Part One: Origins Chapter 1. Bailes and Fandangos: Music and Social Division in the Nineteenth Century Chapter 2. The Dawning of a New Age: Musical Developments, 1910 to 1940 Part Two: The Mexican American Era Chapter 3. Orquesta's Social Base: The Mexican American Generation Chapter 4. The Formative Years of Orquesta: The Texas-Mexican Connection Chapter 5. The Los Angeles Tradition: Triumph of the Anti-Ranchero Part Three: The Chicano Era Chapter 6. The Chicano Generation: Conflict, Contradiction, and Synthesis Chapter 7. La Onda Chicana Chapter 8. Ethnography: The Orquesta Tradition in Fresno Coda: Music in the Post-Chicano Era Notes Selected Discography References Cited Index
Synopsis
The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Peña calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements--Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel Peña traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture., The Mexican American orquesta is neither a Mexican nor an American music. Relying on both the Mexican orquesta and the American dance band for repertorial and stylistic cues, it forges a synthesis of the two. The ensemble emerges historically as a powerful artistic vehicle for the expression of what Manuel Pena calls the "dialectic of conflict." Grounded in ethnic and class conflict, this dialectic compels the orquesta and its upwardly mobile advocates to waver between acculturation and ethnic resistance. The musical result: a complex mesh of cultural elements--Mexican and American, working- and middle-class, traditional and contemporary. In this book, Manuel Pena traces the evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s. Drawing on fifteen years of field research, he embeds the development of the orquesta within a historical-materialist matrix to achieve the optimal balance between description and interpretation. Rich in ethnographic detail and boldly analytical, his book is the first in-depth study of this important but neglected field of artistic culture., The evolution of the orquesta in the Southwest from its beginnings in the nineteenth century through its pinnacle in the 1970s and its decline since the 1980s.
LC Classification Number
ML3481.P44 1999
Copyright Date
1999
ebay_catalog_id
4

Item description from the seller