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Holy Tears Holy Blood: Women, Catholicism, & the Culture of Suffering in 1st Ed.

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Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Personalize
No
Signed
No
Ex Libris
No
Personalized
No
Inscribed
No
Edition
First Edition
Vintage
No
ISBN
9780801442070

About this product

Product Identifiers

Publisher
Cornell University Press
ISBN-10
0801442079
ISBN-13
9780801442070
eBay Product ID (ePID)
5971356

Product Key Features

Book Title
Holy Tears, Holy Blood : Women, Catholicism, and the Culture of Suffering in France, 1840-1970
Number of Pages
320 Pages
Language
English
Publication Year
2004
Topic
Cultural Heritage, Inspirational, Christianity / Catholic, Europe / France, Religious
Illustrator
Yes
Genre
Religion, Biography & Autobiography, History
Author
Richard D. E. Burton
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
32.1 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2003-022173
Dewey Edition
22
Reviews
"In Holy Tears, Holy Blood Richard D. E. Burton explores with great sensitivity a powerful current in modern Catholic devotional life, the doctrine of mystical substitution, which calls on innocent victims (generally women) to suffer sickness, hunger, poverty, and in extreme cases, the stigmata, in order to redeem a corrupt world. Through a series of eleven biographical sketches Burton shows the different paths that French women could take in embodying this ideal--including the 'little way' of Thérése Martin, the 'Little Flower' who accepted suffering but opposed self-mortification, and the harsh asceticism of Simone Weil. Burton's work combines a profound empathy for the women he writes about with a critical spirit that confronts the troubling dimension of a spirituality in which self-sacrifice approaches masochism. Readers of Holy Tears, Holy Blood enter a world that is both beautiful and appalling, and which has shaped the lives and thoughts of millions of Catholics over the last two centuries."--Thomas Kselman, University of Notre Dame, "In Holy Tears, Holy Blood Richard D. E. Burton explores with great sensitivity a powerful current in modern Catholic devotional life, the doctrine of mystical substitution, which calls on innocent victims (generally women) to suffer sickness, hunger, poverty, and in extreme cases, the stigmata, in order to redeem a corrupt world. Through a series of eleven biographical sketches Burton shows the different paths that French women could take in embodying this ideal-including the 'little way' of Thrse Martin, the 'Little Flower' who accepted suffering but opposed self-mortification, and the harsh asceticism of Simone Weil. Burton's work combines a profound empathy for the women he writes about with a critical spirit that confronts the troubling dimension of a spirituality in which self-sacrifice approaches masochism. Readers of Holy Tears, Holy Blood enter a world that is both beautiful and appalling, and which has shaped the lives and thoughts of millions of Catholics over the last two centuries."-Thomas Kselman, University of Notre Dame, "Richard D. E. Burton is a lively writer and a brilliant scholar who has traced out a theme of religious agony in France that is highly original. All of Burton's books are worth studying but this one may be his best yet!"-Edmund White, Director of Creative Writing at Princeton University, "In Holy Tears, Holy Blood Richard D. E. Burton explores with great sensitivity a powerful current in modern Catholic devotional life, the doctrine of mystical substitution, which calls on innocent victims (generally women) to suffer sickness, hunger, poverty, and in extreme cases, the stigmata, in order to redeem a corrupt world. Through a series of eleven biographical sketches Burton shows the different paths that French women could take in embodying this ideal-including the 'little way' of Thérése Martin, the 'Little Flower' who accepted suffering but opposed self-mortification, and the harsh asceticism of Simone Weil. Burton's work combines a profound empathy for the women he writes about with a critical spirit that confronts the troubling dimension of a spirituality in which self-sacrifice approaches masochism. Readers of Holy Tears, Holy Blood enter a world that is both beautiful and appalling, and which has shaped the lives and thoughts of millions of Catholics over the last two centuries."-Thomas Kselman, University of Notre Dame, "Burton continues the examination of nineteenth-century French Catholicism he began in Blood in the City. . . . As in his previous work, he boldly uses 'secular suffering,' from sadomasochistic pornography to the Tour de France to the fate of the alleged 'horizontal collaborators' of WWII, as a comparative model. As with all such books, this one invites debate and rebuttal; at once respectful but intelligently interrogative, it will inform and challenge religious, intellectual, and cultural historians."--Choice, "The doctrine of mystical substitution, sometimes known as vicarious suffering, calls upon innocent believers to endure hunger, poverty, sickness, and even stigmata in order to redeem a corrupt world. Richard D. E. Burton's provoking book demonstrates the extent to which the doctrine permeated French Catholic discourse and religious practice during the nineteenth and early twentieth centuries, as radical Catholics sought to redeem France from secular republicanism."-Sarah Howard, Times Literary Supplement, October 15, 2004, "The doctrine of mystical substitution, sometimes known as vicarious suffering, calls upon innocent believers to endure hunger, poverty, sickness, and even stigmata in order to redeem a corrupt world. Richard D. E. Burton's provoking book demonstrates the extent to which the doctrine permeated French Catholic discourse and religious practice during the nineteenth and early twentieth centuries, as radical Catholics sought to redeem France from secular republicanism."--Sarah Howard, Times Literary Supplement, October 15, 2004, "In Holy Tears, Holy Blood Richard D. E. Burton explores with great sensitivity a powerful current in modern Catholic devotional life, the doctrine of mystical substitution, which calls on innocent victims (generally women) to suffer sickness, hunger, poverty, and in extreme cases, the stigmata, in order to redeem a corrupt world. Through a series of eleven biographical sketches Burton shows the different paths that French women could take in embodying this ideal--including the 'little way' of Thrse Martin, the 'Little Flower' who accepted suffering but opposed self-mortification, and the harsh asceticism of Simone Weil. Burton's work combines a profound empathy for the women he writes about with a critical spirit that confronts the troubling dimension of a spirituality in which self-sacrifice approaches masochism. Readers of Holy Tears, Holy Blood enter a world that is both beautiful and appalling, and which has shaped the lives and thoughts of millions of Catholics over the last two centuries."--Thomas Kselman, University of Notre Dame, "Holy Tears, Holy Blood is a fascinating, wide-ranging, and erudite analysis of faith and spirituality in the lives of twelve French Catholic women in the nineteenth and twentieth centuries. It is an impressive achievement on its own as well as a worthy sequel to Blood in the City. Richard D. E. Burton's focus on suffering in this highly original book substantially broadens and deepens our understanding of French Catholic spirituality."--Sarah A. Curtis, author of Educating the Faithful: Religion, Schooling, and Society in Nineteenth-Century France, "Burton continues the examination of nineteenth-century French Catholicism he began in Blood in the City. . . . As in his previous work, he boldly uses 'secular suffering,' from sadomasochistic pornography to the Tour de France to the fate of the alleged 'horizontal collaborators' of WWII, as a comparative model. As with all such books, this one invites debate and rebuttal; at once respectful but intelligently interrogative, it will inform and challenge religious, intellectual, and cultural historians."-Choice, "Holy Tears, Holy Blood sets out to explore an extremely powerful pre-Vatican II world that seems incomprehensible to us today and has now practically vanished. Largely literary in expression, the 'culture of suffering' described by scholar and author Richard Burton appealed to social and intellectual elites, attracting numerous converts to Catholicism. . . . Burton's work overflows with riches that recover tragic lives now nearly forgotten. Their world--one predating antibiotics, blood transfusions, microsurgery, and protease inhibitors--is hard to read about and even harder to imagine."--Stephen Schloesser, Commonweal, September 24, 2004, "Richard D. E. Burton is a lively writer and a brilliant scholar who has traced out a theme of religious agony in France that is highly original. All of Burton's books are worth studying but this one may be his best yet!"--Edmund White, Director of Creative Writing at Princeton University
Grade From
College Graduate Student
Dewey Decimal
282/.092/244 B
Synopsis
In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more..., In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Thèrése, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions., In Holy Tears, Holy Blood, Richard D. E. Burton continues his investigation of Catholic France from Revolution to Liberation. From his focus in Blood in the City on public demonstrations of the cultural power of Catholicism, he now turns to more private rituals, those codes of conduct that shaped the interior lives of French Catholic women and determined their artistic and social presentation. "Here there is rather less blood, and considerably more weeping," Burton says. In portraits of eleven women, including Simone Weil and Sainte Th r se, he traces the lasting power of particular expressions of suffering and sacrifice. How, Burton asks, does a rapidly modernizing society accommodate the cultural-historical legacy of religious belief, in particular the extreme conservative beliefs of ultramontane Catholicism? Burton pays particular attention to the doctrine of "vicarious suffering," whereby an individual suffers for the redemption of others, and to certain extreme forms of religious experience including stigmatization, self-starvation, visions, and apparitions.
LC Classification Number
BX4682.B87 2004

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