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Performing the US Latina & Latino Borderlands, Hardcover by Aldama, Arturo J....
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Item specifics
- Condition
- Book Title
- Performing the US Latina & Latino Borderlands
- ISBN
- 9780253002952
- Publication Year
- 2012
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Publication Name
- Performing the Us Latina and Latino Borderlands
- Item Height
- 0.6in
- Item Length
- 9in
- Publisher
- Indiana University Press
- Item Width
- 6in
- Item Weight
- 29.6 Oz
- Number of Pages
- 522 Pages
About this product
Product Information
In this interdisciplinary volume, contributors analyze the expression of Latina/o cultural identity through performance. With music, theater, dance, visual arts, body art, spoken word, performance activism, fashion, and street theater as points of entry, contributors discuss cultural practices and the fashoning of identity in Latino/a communities throughout the US. Examining the areas of crossover between Latin and American cultures gives new meaning to the notion of "borderlands." This volume features senior scholars and up-and-coming academics from cultural, visual, and performance studies, folklore, and ethnomusicology.
Product Identifiers
Publisher
Indiana University Press
ISBN-10
0253002958
ISBN-13
9780253002952
eBay Product ID (ePID)
110825104
Product Key Features
Publication Name
Performing the Us Latina and Latino Borderlands
Format
Hardcover
Language
English
Publication Year
2012
Type
Textbook
Number of Pages
522 Pages
Dimensions
Item Length
9in
Item Height
0.6in
Item Width
6in
Item Weight
29.6 Oz
Additional Product Features
Lc Classification Number
Pn1590.H57p47 2012
Grade from
College Graduate Student
Reviews
This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies., The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness." Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies.--Alicia Arrizon "author of Queering Mestizaje: Transculturation and Performance ", I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story. . . Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone., "This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies." -Emily Maguire, author of Experiments in Cuban Literature and Ethnography, "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies." -Alicia Arrizón, author of Queering Mestizaje: Transculturation and Performance, "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies." -Alicia Arriz&ón, author of Queering Mestizaje: Transculturation and Performance, The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies., "This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field." -Yvonne Yarbro Bejarano, author of The Wounded Heart: Writing on Cherríe Moraga, "I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story... Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone." --Text and Presentation, This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field., "This timely volume utilizes a growing body of scholarship in the field of performance studies, while filling in significant gaps and expanding the objects of study in the area of Latina performance. The editors have selected a wide range of essays that represent a splendid array of topics and themes of intrinsic interest to the field."--Yvonne Yarbro Bejarano, author of The Wounded Heart: Writing on Cherríe Moraga "This collection brings together a wealth of Latino Studies scholars in a dynamic interdisciplinary dialogue around issues of performance, identity, and de-colonization. The valuable conversations that emerge from their essays extend into many scholarly disciplines, including Latin American Studies, Queer and Gender Studies, and African American Studies."--Emily Maguire, author of Experiments in Cuban Literature and Ethnography "The essays in Performing the US Latina & Latino Borderlands expand the field of Latina/o cultural studies while situating innovative discussions of performance in the context of borderlands studies. In its totality, the collection focuses on specific formations of collective identities-in-resistance, or what the editors call, the performance of a "borderland consciousness". Performing the US Latina & Latino Borderlands is suitable for graduate and upper undergraduate courses in Latina/o American studies, ethnic and cultural studies, and performance studies."--Alicia Arrizón, author of Queering Mestizaje: Transculturation and Performance " Performing the US Latina and Latino Borderlands is a vital addition to the growing body of scholarship focused on the ''performatics'' of border-crossers, bordernatives, and border-inhabitants as necessary sources of knowledge."-- Latino Studies "I would recommend this book for scholars interested in learning about diverse ways that marginalized populations seize the tools of performance and alter them to shift the story. . . Each chapter contains enough cultural context for scholars unfamiliar with Latina/o Studies and enough entertaining performance for everyone."-- Text and Presentation
Table of Content
Foreword \ Alicia Gaspar de Alba Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. García ACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (19691979) \ Daphne V. Taylor-García ACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Cantú 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. Romero ACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana López 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolución \ Marivel T. Danielson 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. Estrada ACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-Palenzuela List of Contributors Index, Foreword \ Alicia Gaspar de Alba Introduction: Toward a De-Colonial Performatics of the US Latina and Latino Borderlands \ Chela Sandoval, Arturo J. Aldama, and Peter J. García ACTO 1. Performing Emancipation: Inner Work, Public Acts 1. Body as Codex-ized Word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican Transnational Performative Indigeneities \ Micaela Díaz-Sánchez 2. Milongueando Macha Homoerotics: Dancing the Tango, Torta Style (a Performative Testimonio) \ Maria Lugones 3. The Other Train That Derails Us: Performing Latina Anxiety Disorder in "The Night before Christmas" \ Angie Chabram-Dernersesian 4. The Art of Place: The Work of Diane Gamboa \ Karen Mary Davalos 5. Human Rights, Conditioned Choices, and Performance in Ana Castillo's Mixquihuala Letters \ Carl Gutiérrez-Jones 6. Decolonizing Gender Performativity: A Thesis for Emancipation in Early Chicana Feminist Thought (1969-1979) \ Daphne V. Taylor-García ACTO 2. Ethnographies of Performance: The Río Grande and Beyond 7. Performing Indigeneity in a South Texas Community: Los Matachines de la Santa Cruz \ Norma E. Cantú 8. Re-Membering Chelo Silva: The Bolero in Chicana Perspective (Women's Bodies and Voices in Postrevolutionary Urbanization: The Bohemian, Urban, and Transnational) \ Yolanda Broyles-González 9. Roland Barthes, Mojado, in Brownface: Chisme-laced Snapshots Documenting the Preposterous and Fact-laced Claim That the Postmodern Was Born along the Borders of the Río Grande River \ William Anthony Nericcio 10. Decolonial Border Queers: Case Studies of Chicana/o Lesbians, Gay Men, and Transgender Folks in El Paso / Juárez \ Emma Pérez 11 "Te Amo, Te Amo, Te Amo": Lorenzo Antonio and Sparx Performing Nuevo México Music \ Peter J. García 12. Sonic Geographies and Anti-Border Musics: "We Didn't Cross the Border, the Borders Crossed Us" \ Roberto D. Hernández 13. Lila Downs's Borderless Performance: Transculturation and Musical Communication \ Brenda M. Romero ACTO 3. Nepantla Aesthetics in the Trans/Nacional 14. El Macho: How the Women of Teatro Luna Became Men \ Paloma Martínez-Cruz and Liza Ann Acosta 15. Suturing Las Ramblas to East LA: Transnational Performances of Josefina López's Real Women Have Curves \ Tiffany Ana López 16. Loving Revolution: Same-Sex Marriage and Queer Resistance in Monica Palacios's Amor y Revolución \ Marivel T. Danielson 17. Is Ugly Betty a Real Woman? Representations of Chicana Femininity Inscribed as a Site of (Transformative) Difference \ Jennifer Esposito 18. Indian Icon, Gay Macho: Felipe Rose of Village People \ Gabriel S. Estrada ACTO 4. (De)Criminalizing Bodies: Ironies of Performance 19. No Somos Criminales: Crossing Borders in Contemporary Latina and Latino Music \ Arturo J. Aldama 20. "Pelones y Matones": Chicano Cholos Perform for a Punitive Audience \ Victor M. Rios and Patrick Lopez-Aguado 21. Mexica Hip Hop: Male Expressive Culture \ Pancho McFarland 22. The Latino Comedy Project and Border Humor in Performance \ Jennifer Alvarez Dickinson 23. (Re)Examining the Latin Lover: Screening Chicano/Latino Sexualities \ Daniel Enrique Pérez 24. Rumba's Democratic Circle in the Age of Legal Simulacra \ Berta Jottar-Palenzuela List of Contributors Index
Copyright Date
2012
Topic
Ethnic Studies / Hispanic American Studies, General
Lccn
2012-013047
Dewey Decimal
790.20868
Intended Audience
Scholarly & Professional
Dewey Edition
23
Illustrated
Yes
Genre
Social Science, Performing Arts
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