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Black Dragon : Afro Asian Performance and the Martial Arts Imagination, Paper...

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eBay item number:386874912728
Last updated on 31 Aug, 2024 07:54:50 AESTView all revisionsView all revisions

Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Black Dragon : Afro Asian Performance and the Martial Arts Imagin
ISBN
9780814258132
Subject Area
Literary Criticism, History
Publication Name
Black Dragon : Afro Asian Performance and the Martial Arts Imagination
Publisher
Ohio State University Press
Item Length
9 in
Subject
American / African American, American / Asian American, Drama, United States / General
Publication Year
2022
Series
Black Performance and Cultural Criticism Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.8 in
Author
Zachary F. Price
Item Weight
12 Oz
Item Width
6 in
Number of Pages
240 Pages

About this product

Product Identifiers

Publisher
Ohio State University Press
ISBN-10
0814258131
ISBN-13
9780814258132
eBay Product ID (ePID)
7050082261

Product Key Features

Number of Pages
240 Pages
Language
English
Publication Name
Black Dragon : Afro Asian Performance and the Martial Arts Imagination
Publication Year
2022
Subject
American / African American, American / Asian American, Drama, United States / General
Type
Textbook
Subject Area
Literary Criticism, History
Author
Zachary F. Price
Series
Black Performance and Cultural Criticism Ser.
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
12 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2021-029417
Dewey Edition
23
Reviews
"Martial arts cinema is underrepresented in cinema history and the Black presence in martial arts cinema is even more so, which makes Price's Black Dragon groundbreaking, significant, and overdue....This timely, necessary volume is soundly theorized and documented. Focused on Price's theory of 'transcultural kinesthesia,' the book offers perhaps the first scholarly analyses of Moses Powell, Ron van Clief, Ronald Duncan, and the Black Karate Federation. Summing Up: Highly recommended." --K. J. Wetmore, CHOICE, "A richly chronicled history of the adoption and dissemination of Black martial arts in the United States." --Shannon Steen, author of Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre, " Black Dragon makes an outstanding intervention into the sub-field of martial arts in theatre and performance, as well as interculturalism more broadly, both of which have often been silent on issues of race ... Price's vision is ultimately an optimistic one: the possibility of racial coalition in moving bodies." --Broderick D. V. Chow, Performance Research, "Black Dragon finally brings to light the underexamined legacy of Black/Asian American cultural history in American martial arts." --Karen Shimakawa, author of National Abjection: The Asian American Body Onstage, "The most comprehensive and thorough treatment of Afro Asian martial arts to date." --Bill Mullen, author of Afro-Orientalism
Illustrated
Yes
Dewey Decimal
305.896/073
Table Of Content
List of Illustrations Preface Performing Gender in a Broken City Acknowledgments Introduction The Crisis of Black Masculinity Chapter 1 Enter the Black Dragons Chapter 2 Black Panther Martial Art Chapter 3 How Do You Like My Wu-Tang Style? Chapter 4 The Sound of a Dragon: Fred Ho's Afro Asian Jazz Martial Arts Chapter 5 Here Be Dragons: The Odyssey Toward Liberation Post A Virtual Kinesthesia Bibliography Index
Synopsis
In Black Dragon: Afro Asian Performance and the Martial Arts Imagination , Zachary F. Price illuminates martial arts as a site of knowledge exchange between Black, Asian, and Asian American people and cultures to offer new insights into the relationships among these historically marginalized groups. Drawing on case studies that include Kareem Abdul-Jabbar's appearance in Bruce Lee's film Game of Death , Ron van Clief and the Black Panther Party for Self-Defense, the Wu-Tang Clan, and Chinese American saxophonist Fred Ho, Price argues that the regular blending and borrowing between their distinct cultural heritages is healing rather than appropriative. His analyses of performance, power, and identity within this cultural fusion demonstrate how, historically, urban working-class Black men have developed community and practiced self-care through the contested adoption of Asian martial arts practice. By directing his analysis to this rich but heretofore understudied vein of American cultural exchange, Price not only broadens the scholarship around sites of empowerment via such exchanges but also offers a compelling example of nonessentialist emancipation for the twenty-first century., Deploys martial arts as a lens to analyze performance, power, and identity within the evolving fusion of Black and Asian American cultures in history and media.
LC Classification Number
E185.615.P76 2022

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