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Digital Culture and Society Ser.: Digital Culture and Society (DCS) : Vol. 7, Issue 2/2021 - Networked Images in Surveillance Capitalism by Anna Polze (2022, Trade Paperback)
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From social photos, selfies and image communities on the internet to connected viewing and streaming, and video conferencing during the Corona pandemic - the digital image is not only predominantly networked but also accessed through platforms and structured by their economic imperatives, data acquisition techniques and algorithmic processing.
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About this product
Product Identifiers
PublisherTranscript Verlag
ISBN-103837653889
ISBN-139783837653885
eBay Product ID (ePID)22057288537
Product Key Features
Number of Pages336 Pages
LanguageEnglish
Publication NameDigital Culture and Society (DCS) : Vol. 7, Issue 2/2021 - Networked Images in Surveillance Capitalism
SubjectMedia Studies
Publication Year2022
TypeTextbook
AuthorAnna Polze
Subject AreaSocial Science
SeriesDigital Culture and Society Ser.
FormatTrade Paperback
Dimensions
Item Height0.1 in
Item Length0.9 in
Item Width0.6 in
Additional Product Features
Intended AudienceScholarly & Professional
Table Of ContentTitelei 1 Content 3 Introduction 5 Kind of Blue 29 Embedding Heterogenous Forms of Surveillance in China's Autocratic Networked Media 55 Black Squares and Gucci 97 Automating Platform Spectators 119 Seeing Like a Border 139 Doing Google Maps 159 The Invisualities of Capture in Amazon's Logistical Operations 185 Apple Memories and Automated Memory-Making 203 Images of Resistance 229 The Digital, Capitalist Gaze 245 Nudged to Normal 265 Detained through a Smartphone 287 Urban Data Analytics as Research Topic, Method and Ethical Concern 311 Biographical Notes 329
SynopsisCapturing personal data in exchange for free services is now ubiquitous in networked media and recently led to diagnoses of surveillance and platform capitalism. In social media discourse, dataveillance and data mining have been criticized as new forms of capitalist exploitation for some time. From social photos, selfies and image communities on the internet to connected viewing and streaming, and video conferencing during the Corona pandemic - the digital image is not only predominantly networked but also accessed through platforms and structured by their economic imperatives, data acquisition techniques and algorithmic processing. In this issue, the contributors show how participation and commodification are closely linked to the production, circulation, consumption and operativity of images and visual communication, raising the question of the role networked images play for and within the proliferating surveillance capitalism., In this issue, contributors show how participation and commodification are closely linked in the production, circulation, consumption and operativity of images and visual communication, raising the question of the role networked images play for and within the proliferating surveillance capitalism.
