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Composing Apartheid: Music for and against apartheid by Lara Allen (English) Pap

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eBay item number:394513945423
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Item specifics

Condition
Brand new: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9781868144563
Book Title
Composing Apartheid
ISBN
9781868144563
Subject Area
Music, Social Science
Publication Name
Composing Apartheid : Music for and Against Apartheid
Publisher
Wit's University Press
Item Length
9.8 in
Subject
History & Criticism, Philosophy & Social Aspects, General, Anthropology / Cultural & Social, Ethnic, Genres & Styles / Pop Vocal
Publication Year
2008
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Gary Baines
Item Weight
17.6 Oz
Item Width
5.9 in
Number of Pages
320 Pages

About this product

Product Information

Composing Apartheid explores how music was produced through, and provided key features of apartheid's social and political topography, and how music and musicians contested and helped to conquer apartheid. These essays include historians, sociologists and anthropologists, as well as ethnomusicologists, music theorists and historical musicologists

Product Identifiers

Publisher
Wit's University Press
ISBN-10
1868144569
ISBN-13
9781868144563
eBay Product ID (ePID)
64229879

Product Key Features

Number of Pages
320 Pages
Language
English
Publication Name
Composing Apartheid : Music for and Against Apartheid
Publication Year
2008
Subject
History & Criticism, Philosophy & Social Aspects, General, Anthropology / Cultural & Social, Ethnic, Genres & Styles / Pop Vocal
Type
Textbook
Subject Area
Music, Social Science
Author
Gary Baines
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
17.6 Oz
Item Length
9.8 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-564335
Dewey Edition
22
Reviews
This is one of the best books to have emerged from South African musicology in the last decade... It opens up a new level of discourse about music during the apartheid era: a level on which the theoretical, the ethical, the historical and the aesthetic play against each other in newly meaningful ways. Roger Parker, Cambridge University, UK
Illustrated
Yes
Dewey Decimal
781.5/990968
Lc Classification Number
Ml3917.S62c66 2008
Table of Content
Introduction: Grant OlwageChapter 1: Back to the Future? Idioms of 'displaced time' in South African compositionChristine LuciaChapter 2: Apartheid's Musical Signs: Reflections on black choralism, modernity and race-ethnicity in the segregation eraGrant OlwageChapter 3: Discomposing Apartheid's Story: Who owns Handel?Christopher CockburnChapter 4: Kwela's White Audiences: The politics of pleasure and identification in the early apartheid periodLara AllenChapter 5: Popular Music and Negotiating Whiteness in Apartheid South AfricaGary BainesChapter 6: Packaging Desires: Album covers and the presentation of apartheidMichael DrewettChapter 7: Musical Echoes: Composing a past in/for South African jazzCarol A. MullerChapter 8: Singing Against Apartheid: ANC cultural groups and the international anti-apartheid struggleShirli GilbertChapter 9: 'Nkosi Sikelel' iAfrika': Stories of an African anthem David Coplan and Bennetta Jules-RosetteChapter 10: Whose 'White Man Sleeps' Aesthetics? and politics in the early work of Kevin VolansMartin ScherzingerChapter 11: State of Contention: Recomposing apartheid at Pretoria's State Theatre, 1990-1994. A personal recollectionBrett PyperChapter 12: Decomposing Apartheid: Things come togetherIngrid ByerlyChapter 13: Arnold van Wyk's HandsStephanus Muller
Copyright Date
2008

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