Picture 1 of 1

Gallery
Picture 1 of 1

Have one to sell?
Richard Strauss by Michael Kennedy: New
US $92.44
ApproximatelyAU $142.15
Condition:
Brand new
A new, unread, unused book in perfect condition with no missing or damaged pages. See the seller's listing for full details.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Postage:
Free Standard Shipping.
Located in: Sparks, Nevada, United States
Delivery:
Estimated between Mon, 11 Aug and Fri, 15 Aug to 94104
Returns:
30-day returns. Buyer pays for return postage. If you use an eBay postage label, it will be deducted from your refund amount.
Payments:
Shop with confidence
Seller assumes all responsibility for this listing.
eBay item number:403816956884
Item specifics
- Condition
- Publication Date
- 1999-01-13
- Pages
- 468
- ISBN
- 9780521581738
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521581737
ISBN-13
9780521581738
eBay Product ID (ePID)
77375
Product Key Features
Book Title
Richard Strauss : Man, Musician, Enigma
Number of Pages
468 Pages
Language
English
Topic
Genres & Styles / Classical, General
Publication Year
1999
Illustrator
Yes
Genre
Music
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
30.5 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
98-035860
Reviews
"...a coherent and convincing portrait of the composer that comes from years of study....a thoroughly engaging book that should prompt the reader to...return to the music..." James L. Zychowicz, Opera Quarterly, 'One of the many merits of this excellently researched book is that it pinpoints the centrality to Strauss of his family life ... It is worth reading ... not only for its jaunty style, but also for the integrity with which it provides even discreditable information about its protagonist.'Gerald Kaufman, Daily Telegraph, ‘… his is one of the best balanced and most intelligent presentations of a composer’s work I have ever encountered.’The Observer, "Kennedy has added fresh analyses and drawn on much unpublished material....Kennedy provides significant insights into the composer's personal life and complicated mindset throughout his career. While avoiding the clichés of so many of today's over-written psycho-biographies, Kennedy brings Strauss vividly alive and places him firmly in the context of his times." Opera News, 'This is a highly enjoyable book. Kennedy gives a sensitive and judicious account of Strauss's life ...' The Musical Times, 'Lord Harewood, the former chairman of English National Opera, reckons Kennedy's 'measured, accurate and penetrating championing' of Strauss to be his finest achievment, 'Strauss was, in some quarters, reviled, and Michael corrected that. He's not just a critic, but an excellent historian'.'The Sunday Telegraph, '… his is one of the best balanced and most intelligent presentations of a composer's work I have ever encountered.' The Observer, '… by virtue of his thoroughness and passion for the subject, Kennedy has given us even cause to celebrate Strauss …' Opera News, '... his is one of the best balanced and most intelligent presentations of a composer's work I have ever encountered.'The Observer, "The first large-scale biography of Strauss to be published in many years, this volume is beautifully written by one of the great writers on music in the English language." Choice, "Kennedy, in this well-written biography, offers many insights into the family an professional life of Strauss. Kennedy shos great interest in the intellect, the miracle that produced the sublime music of the composer's Lieder, tone poems and operas and implies the Lieder mayy well be the finest works, perhaps presenting yet another enigma for readers to consider." The Oper Jrnl MARCH 2001, ‘… by virtue of his thoroughness and passion for the subject, Kennedy has given us even cause to celebrate Strauss …’Opera News, "Biographer Michael Kennedy Demonstrates that the many varying shades of criticism that have painted Richard Strauss in the past half century resemble the similar understandings and misunderstandings held by his contemporaries. He builds his analysis around the few constants in Strauss's life: his admiration for German culture, his dependence on his own family for guidance, and his ^Nietzschean total absorption in art." Kennedy also deals with Strauss's problematic relationship with Nazi authorities." Shofar, 'Although Kennedy refrains from detailed musical analysis, he is always interesting, if sometimes controversial, in his evaluation of Strauss's most important works and evangelical on behalf of his lesser known ones ... Kennedy's book is an important and absorbing contribution to the continuing Strauss debate.'Hugh Canning, Sunday Times, 'This is a highly enjoyable book. Kennedy gives a sensitive and judicious account of Strauss's life …' The Musical Times, '... majestic and beautifully written study ... Here is a major contribution to musical literature at the highest level.' Musical Opinion, ‘… majestic and beautifully written study … Here is a major contribution to musical literature at the highest level.’Musical Opinion, ‘Written in an elegantly accessible style, this is the most valuable book on Strauss and his music to have appeared in English.’Charles Osborne, BBC Music Magazine, 'Although Kennedy refrains from detailed musical analysis, he is always interesting, if sometimes controversial, in his evaluation of Strauss's most important works and evangelical on behalf of his lesser known ones ... Kennedy's book is an important and absorbing contribution to the continuing Strauss debate.' Hugh Canning, The Sunday Times, '… majestic and beautifully written study … Here is a major contribution to musical literature at the highest level.' Musical Opinion, '... majestic and beautifully written study ... Here is a major contribution to musical literature at the highest level.'Musical Opinion, ‘One of the many merits of this excellently researched book is that it pinpoints the centrality to Strauss of his family life … It is worth reading … not only for its jaunty style, but also for the integrity with which it provides even discreditable information about its protagonist.’Gerald Kaufman, Daily Telegraph, 'Michael Kennedy has written a fine work, which I believe will be the benchmark for all future biographies of Richard Strauss.'Literary Review, 'Michael Kennedy has written a fine work, which I believe will be the benchmark for all future biographies of Richard Strauss.' Literary Review, ‘… his abiding love of the subject and his gift for sane human judgements persistently edge us closer to the truth of the enigma that was Strauss.’Gramaphone, 'Written in an elegantly accessible style, this is the most valuable book on Strauss and his music to have appeared in English.' Charles Osborne, BBC Music Magazine, "Kennedy has added fresh analyses and drawn on much unpublished material....Kennedy provides significant insights into the composer's personal life and complicated mindset throughout his career. While avoiding the clich_s of so many of today's over-written psycho-biographies, Kennedy brings Strauss vividly alive and places him firmly in the context of his times." Opera News, "...this is a lively 'Life' that redresses some balances in previous biographical excursions." The Times, London, ‘Michael Kennedy has written a fine work, which I believe will be the benchmark for all future biographies of Richard Strauss.’Literary Review, 'Mr Kennedy's new biography of Strauss is certain to become the standard work, shaping the interpretations of a whole generation of Strauss's scholars (and ordinary music lovers) to come.' The Sunday Telegraph, 'Although Kennedy refrains from detailed musical analysis, he is always interesting, if sometimes controversial, in his evaluation of Strauss's most important works and evangelical on behalf of his lesser known ones … Kennedy's book is an important and absorbing contribution to the continuing Strauss debate.' Hugh Canning, Sunday Times, 'One of the many merits of this excellently researched book is that it pinpoints the centrality to Strauss of his family life ... It is worth reading ... not only for its jaunty style, but also for the integrity with which it provides even discreditable information about its protagonist.' Gerald Kaufman, Daily Telegraph, 'Mr Kennedy's new biography of Strauss is certain to become the standard work, shaping the interpretations of a whole generation of Strauss's scholars (and ordinary music lovers) to come.' Sunday Telegraph, ‘Lord Harewood, the former chairman of English National Opera, reckons Kennedy’s ‘measured, accurate and penetrating championing’ of Strauss to be his finest achievment, ‘Strauss was, in some quarters, reviled, and Michael corrected that. He’s not just a critic, but an excellent historian‘.’The Sunday Telegraph, '… his abiding love of the subject and his gift for sane human judgements persistently edge us closer to the truth of the enigma that was Strauss.' Gramaphone, '... by virtue of his thoroughness and passion for the subject, Kennedy has given us even cause to celebrate Strauss ...'Opera News, 'This is a highly enjoyable book. Kennedy gives a sensitive and judicious account of Strauss's life ...'The Musical Times, 'One of the many merits of this excellently researched book is that it pinpoints the centrality to Strauss of his family life ... It is worth reading ... not only for its jaunty style, but also for the integrity with which it provides even discreditable information about its protagonist.' Gerald Kaufman, The Telegraph, ‘Mr Kennedy’s new biography of Strauss is certain to become the standard work, shaping the interpretations of a whole generation of Strauss’s scholars (and ordinary music lovers) to come.’Sunday Telegraph, 'Lord Harewood, the former chairman of English National Opera, reckons Kennedy's 'measured, accurate and penetrating championing' of Strauss to be his finest achievment, 'Strauss was, in some quarters, reviled, and Michael corrected that. He's not just a critic, but an excellent historian'.' The Sunday Telegraph, ‘This is a highly enjoyable book. Kennedy gives a sensitive and judicious account of Strauss's life …’The Musical Times, '... his abiding love of the subject and his gift for sane human judgements persistently edge us closer to the truth of the enigma that was Strauss.'Gramaphone, 'Written in an elegantly accessible style, this is the most valuable book on Strauss and his music to have appeared in English.'Charles Osborne, BBC Music Magazine, ‘Although Kennedy refrains from detailed musical analysis, he is always interesting, if sometimes controversial, in his evaluation of Strauss’s most important works and evangelical on behalf of his lesser known ones … Kennedy’s book is an important and absorbing contribution to the continuing Strauss debate.’Hugh Canning, Sunday Times, 'Although Kennedy refrains from detailed musical analysis, he is always interesting, if sometimes controversial, in his evaluation of Strauss's most important works and evangelical on behalf of his lesser known ones ... Kennedy's book is an important and absorbing contribution to the continuing Strauss debate.' Hugh Canning, Sunday Times, '... his is one of the best balanced and most intelligent presentations of a composer's work I have ever encountered.' The Observer, 'Mr Kennedy's new biography of Strauss is certain to become the standard work, shaping the interpretations of a whole generation of Strauss's scholars (and ordinary music lovers) to come.'Sunday Telegraph, '... by virtue of his thoroughness and passion for the subject, Kennedy has given us even cause to celebrate Strauss ...' Opera News, '... his abiding love of the subject and his gift for sane human judgements persistently edge us closer to the truth of the enigma that was Strauss.' Gramaphone, 'One of the many merits of this excellently researched book is that it pinpoints the centrality to Strauss of his family life … It is worth reading … not only for its jaunty style, but also for the integrity with which it provides even discreditable information about its protagonist.' Gerald Kaufman, Daily Telegraph
Dewey Edition
22
Dewey Decimal
780.92 B
Table Of Content
List of illustrations; Preface; Acknowledgements; Part I. 1864-1898: Youth in Munich: 1. The family; 2. Wunderkind; 3. Growing up; 4. Meiningen; 5. Third conductor; 6. Dora and Weimar; 7. First failure; 8. Engagement; 9. Pauline; 10. The tone-poet; Part II. 1898-1918: The Berlin Years: 11. At the Kaiser's court; 12. Enter Hofmannsthal; 13. The Ariadne crisis; 14. Twentieth-century Offenbach; Part III. 1918-1933: Out of Fashion: 15. Vienna; 16. Intermezzo; 17. Helena; 18. Arabella; 19. The gathering storm; Part IV. 1933-1949: The Dark Years: 20. Taking Walter's place; 21. The Reich chamber; 22. Dismissal; 23. Working with Gregor; 24. Danae and Madeleine; 25. After Capriccio; 26. Eightieth birthday; 27. Metamorphosen; 28. 'I am Richard Strauss ...'; 29. The exile; 30. London; 31. Last songs; 32. Return to Garmisch; Appendices; Notes; Select bibliography; Index.
Synopsis
Was Richard Strauss the most incandescent composer of the twentieth century or merely a bourgeoisie artist and Nazi sympathizer? For the fifty years since his death on September 8, 1949, Richard Strauss has remained dogmatically elusive in the wider body of musical and historical criticism. Lauded as nothing less than the "greatest musical figure" of his time by Canadian musician, Glenn Gould, in 1962, Strauss also has attracted his share of posthumous epithets: in summary, an artist who lived off his own fat during his later years. As recently as 1995, the English critic Rodney Milnes wrote, "the court of posterity is still reserving judgment." In Richard Strauss: Man, Musician, Enigma, biographer Michael Kennedy demonstrates that the many varying shades of criticism that have painted this figure in the past half century resemble the similar understandings and misunderstandings held by his contemporaries--perceptions that touched almost every aspect of Strauss' life and career. Introducing his detailed work more as a broad explication than a firm answer to the Straussian riddle, Kennedy's scope includes the exuberant, extroverted Strauss of young adulthood as well as the phlegmatic and aloof middle-aged man who resembled a "prosperous bank manager;" the arch-fiend of modernism and the composer who redefined the term; a man who professed to lack all spiritual curiosity and a musician who penned the touching ballet Der Kometentanz; an at times almost humble family man and an artist who claimed to be as interesting as Napoleon and Alexander the Great. Kennedy clearly elucidates his enigmatic subject by building his analysis around the few constants in Strauss' life: his profound admiration for German culture, his dependence on his own family for guidance, and his "Nietzschean total absorption in art." This frame offers everyone from Straussian scholars to general readers an insightful and easy-to-follow biographical narrative. Kennedy also deals at length with Strauss' problematic relationship with Nazi authorities, detailing his incompatible roles as the father-in-law of a Jewish woman and as one of the country's leading composers. Michael Kennedy is the chief music critic of the (London) Sunday Telegraph and the author of many books about music., Written by Michael Kennedy, music critic for the Sunday Telegraph, this first detailed biography of Richard Strauss for many years reassesses the man and the musician, drawing on much hitherto ignored material. In particular it considers Strauss's position during the period of the Third Reich., This book re-evaluates a figure whom the author considers to be the greatest composer of the twentieth century. Kennedy deals fully with Strauss's life as leading composer and national figure in the Third Reich, during which he was both fêted and cold-shouldered by the authorities. In putting this period into perspective he draws heavily on hitherto ignored material, including Strauss's own letters and diaries. In addition he reveals much about Strauss's long, happy but tempestuous marriage to the soprano Pauline de Ahna as well as tracing the important relationships to his librettists Hugo von Hofmannsthal, Stefan Zweig, Joseph Gregor and Clemens Krauss. Kennedy reassesses the man and the music, revealing a picture of a level-headed, practical and extremely versatile musician - a great conductor as well as a great composer.
LC Classification Number
ML410.S93 K46 1999
Item description from the seller
Seller feedback (514,225)
- m***m (2299)- Feedback left by buyer.Past 6 monthsVerified purchaseI’m thrilled with my recent purchase . The website was user-friendly, and the product descriptions were accurate. Customer service was prompt and helpful, answering all my questions. My order arrived quickly, well-packaged, and the product exceeded my expectations in quality. I’m impressed with the attention to detail and the overall experience. I’ll definitely shop here again and highly recommend from this seller to others. Thank you for a fantastic experience!
- a***n (45)- Feedback left by buyer.Past 6 monthsVerified purchaseMistakenly ordered a paperback that I thought was a hardcover, not sellers fault; it was described properly on the listing. Seller still processed a refund the day I went to return the item and let me keep the item anyway. A+++ service. Book arrived quickly in great condition and for a great price. Thank you so much! Amazing seller!
- n***c (95)- Feedback left by buyer.Past 6 monthsVerified purchaseseller was communicative about my shipment, media mail took a while and tracking wasn't updated frequently, but seller communicated to me very quickly on status. the item came new and wrapped as described, though the packaging in it was packed wasn't sturdy and falling apart when it got to me.
More to explore:
- Richard Scarry Fiction Books,
- Richard Scarry Hardcover Books,
- Richard Scarry Children & Young Adult Books,
- Richard Scarry Mini Fiction & Books,
- Richard Scarry Fiction & Non-Fiction Books,
- Michael Connelly Fiction & Fiction Books,
- Michael Crichton Fiction & Fiction Books,
- New Zealand Maps & Atlases,
- Michael Moorcock Fiction & Fiction Books,
- Michael Connelly Fiction Hardcover Books