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Personnel: Adele (vocals, guitar); Matt Allchin, Ben Thomas , Michael Tighe (guitar); Neil Cowley (piano); Jason Silver (keyboards); Sam Koppelman (glockenspiel); Pete Biggins, Louis Sharpe, Sebastian "Seb" Rochford (drums); Tom Driessler (tambourine); Liam Howe (programming). Recording information: Angel Studios (05/2007); Bimbos, San Francisco (05/2007); Highline Ballroom, New York (05/2007); Konk (05/2007); Metropolis Studios (05/2007); Olympic Studios (05/2007); Rak Studios (05/2007); Roxy, Los Angeles (05/2007); The Townhouse (05/2007); World Cafe, Philidelphia (05/2007); Angel Studios (06/2007); Bimbos, San Francisco (06/2007); Highline Ballroom, New York (06/2007); Konk (06/2007); Metropolis Studios (06/2007); Olympic Studios (06/2007); Rak Studios (06/2007); Roxy, Los Angeles (06/2007); The Townhouse (06/2007); World Cafe, Philidelphia (06/2007); Angel Studios (09/2007); Bimbos, San Francisco (09/2007); Highline Ballroom, New York (09/2007); Konk (09/2007); Metropolis Studios (09/2007); Olympic Studios (09/2007); Rak Studios (09/2007); Roxy, Los Angeles (09/2007); The Townhouse (09/2007); World Cafe, Philidelphia (09/2007). Director: Charlie Robins. Photographers: Stephanie Methven; Josh Burton; Bao Nguyen; Rune Hellestad. Arranger: Chris Elliott. With just a couple of cursory listens to the few tracks that popped up all over the Internet through 2007, comparisons were made between Adele, the much-hyped brassy British songstress, and Amy Winehouse, the...much-hyped brassy British songstress. However, after a solid listen to 19, the first full sampling by the up-and-coming Adele, listeners are forced to throw all comparisons to the wind; Adele is simply too magical to compare her to anyone. Bluesy like it's no one's business yet voluptuously funky in a contemporary way, Adele rocks out 19 with a unique voice and gritty sound that dazzle endlessly. Synthesizing blues, jazz, folk, soul, and even electric pop, Adele mystifies through her mature songwriting skills and jaw-dropping arrangements. As the album opens with "Daydreamer," Adele's illusionary instrument -- over minimal sounds -- engulfs the listener with a gorgeous feeling of awe and wonderment. On "Melt My Heart to Stone" and the bona fide hit "Chasing Pavements," Adele allows herself to soar over the strings and power her way through these incredible songs. The upbeat "Right as Rain" is just wonderful, with clear Ashford & Simpson influences speckled all over it in an upbeat set. Nearly all the tracks seem to have been nurtured to glory over months as labors of love. What's simply awesome on 19 is its capability to capture the listener through mere teasing; Adele doesn't shout for attention, and doesn't rely on anyone but herself to prove she's worth it, in the same vein as Sara Bareilles, another heavily praised artist of 2007. The jazzy "Best for Last" is as retro as the tunes get on the album, yet it still manages to steer away from being boring or old-fashioned. The only awkward
