Reviews
"Staggeringly High Standard of Diction. the Surest Method of Converting People to Opera."--Opera Now, "Singing in English clearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coach should be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute, Boston University"In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no one else. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English." --Francesca Zambello, Director, Artistic Advisor to San Francisco Opera"Staggeringly high standard of diction. The surest method of converting people to Opera." --Opera Now"Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' which then leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, and other much less obvious aspects of singing in English. Her book deserves a special place in every singer's library." --Sir Thomas Allen CBE, Kammersänger of the Bayerische Staatsoper Munich"Offers clear, concise explanations with pertinent examples. The author's vast experience as a diction coach is evident on every page. The linked website augments the text's usefulness. Singers, voice teachers, and coaches will find Singing and Communicating in English an excellent resource." --Journal of Singing, "In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no oneelse. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English."--Francesca Zambello,Director, Artistic Advisor to San Francisco Opera, "Singing in English clearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coach should be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute,Boston University"In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no one else. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is amust-have for all directors, coaches, teachers, performers and anyone who champions opera in English." --Francesca Zambello, Director, Artistic Advisor to San Francisco Opera"Staggeringly high standard of diction. The surest method of converting people to Opera." --Opera Now"Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' which then leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, andother much less obvious aspects of singing in English. Her book deserves a special place in every singer's library." --Sir Thomas Allen CBE, Kammersänger of the Bayerische Staatsoper Munich"Offers clear, concise explanations with pertinent examples. The author's vast experience as a diction coach is evident on every page. The linked website augments the text's usefulness. Singers, voice teachers, and coaches will find Singing and Communicating in English an excellent resource." --Journal of Singing, "In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no oneelse. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English."-Francesca Zambello,Director, Artistic Advisor to San Francisco Opera, "Singing in Englishclearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coach should be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute, Boston University. "In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no one else. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English."-Francesca Zambello, Director, Artistic Advisor to San Francisco Opera "Staggeringly high standard of diction. The surest method of converting people to Opera."-Opera Now "Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' which then leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, and other much less obvious aspects of singing in English. Her book deserves a special place in every singer's library."--Sir Thomas Allen CBE, Kammers nger of the Bayerische Staatsoper Munich "Offers clear, concise explanations with pertinent examples. The author's vast experience as a diction coach is evident on every page. The linked website augments the text's usefulness. Singers, voice teachers, and coaches will findSinging and Communicating in Englishan excellent resource."-Journal of Singing, "Singing in English clearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coachshould be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute, Boston University., "Singing in English clearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coach should be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute, Boston University "In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no one else. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English." --Francesca Zambello, Director, Artistic Advisor to San Francisco Opera "Staggeringly high standard of diction. The surest method of converting people to Opera." --Opera Now "Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' which then leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, and other much less obvious aspects of singing in English. Her book deserves a special place in every singer's library." --Sir Thomas Allen CBE, Kammersänger of the Bayerische Staatsoper Munich "Offers clear, concise explanations with pertinent examples. The author's vast experience as a diction coach is evident on every page. The linked website augments the text's usefulness. Singers, voice teachers, and coaches will find Singing and Communicating in English an excellent resource." --Journal of Singing, "Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' whichthen leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, and other much less obvious aspects of singing in English. Her book deserves a special place in every singer's library."--Sir Thomas Allen CBE,Kammersanger of the Bayerische Staatsoper Munich, "Singing in English clearly and expressively is no mean feat. Kathryn LaBouff's methodical and vocally healthy approach to singing in English empowers and frees the singer/actor to deeply communicate while singing in English. She has revolutionized singing in English, and no student or coach should be without this book. This book is a must for all who wish to master the art of singing in English."--Allison Voth, Principal Coach, Opera Institute, Boston University "In the rehearsal process Kathryn LaBouff is my secret weapon. She has an uncanny ability to take dramatic ideas and unify them with her own technical and diction work for the performer. The result of her collaboration is that the performer can activate and communicate the text like no one else. The diction techniques that she developed are easily accessible in this book, and will help clean up English text delivery in productions around the world. This is a must-have for all directors, coaches, teachers, performers and anyone who champions opera in English." --Francesca Zambello, Director, Artistic Advisor to San Francisco Opera "Staggeringly high standard of diction. The surest method of converting people to Opera." --Opera Now "Singing in English can be one of the most satisfying experiences for a singer. Whilst singers realize considerable skills in a range of European languages, English remains sidelined, expected to look after itself. This book offers guidance to singers for 'singing and communicating,' which then leads to comprehension -- for artist and audience alike. In exploring this rich and varied language, Kathryn LaBouff deals fully with some obvious, and other much less obvious aspects of singing in English. Her book deserves a special place in every singer's library." --Sir Thomas Allen CBE, Kammersnger of the Bayerische Staatsoper Munich "Offers clear, concise explanations with pertinent examples. The author's vast experience as a diction coach is evident on every page. The linked website augments the text's usefulness. Singers, voice teachers, and coaches will find Singing and Communicating in English an excellent resource." --Journal of Singing
