Reviews"A small masterpiece . . . With Of the Farm, John Updike has achieved a sureness of touch, a suppleness of style, and a subtlety of vision that is gained by few writers of fiction."-- The New York Times "An excellent book . . . [Updike] has the painter's eye for form, line, and col∨ the poet's ear for metaph∨ and the storyteller's knack for 'and then what happened?' "-- Harper's "Updike is a master of sheer elegance of form that shows itself time and again."-- Los Angeles Times, "A small masterpiece . . . With Of the Farm, John Updike has achieved a sureness of touch, a suppleness of style, and a subtlety of vision that is gained by few writers of fiction."- The New York Times "An excellent book . . . [Updike] has the painter's eye for form, line, and col∨ the poet's ear for metaph∨ and the storyteller's knack for 'and then what happened?' "- Harper's "Updike is a master of sheer elegance of form that shows itself time and again."- Los Angeles Times, "Very clearly and very completely a small masterpiece." -The New York Times "AN EXCELLENT BOOK . . . A PSYCHOLOGICAL THRILLER . . . [Updike] has the painter's eye for form, line, and col∨ the poet's ear for metaph∨ and the storyteller's knack for 'and then what happened?' " -Harper's "Updike is a master of sheer elegance of form that shows itself time and again." -Los Angeles Times "Updike just happens to write the most vivid prose in America." -Vanity Fair, "Very clearly and very completely a small masterpiece." -The New York Times "AN EXCELLENT BOOK . . . A PSYCHOLOGICAL THRILLER . . . [Updike] has the painter's eye for form, line, and col∨ the poet's ear for metaph∨ and the storyteller's knack for 'and then what happened?' " - Harper's "Updike is a master of sheer elegance of form that shows itself time and again." -Los Angeles Times "Updike just happens to write the most vivid prose in America." -Vanity Fair
Synopsis"A small masterpiece . . . With Of the Farm , John Updike has achieved a sureness of touch, a suppleness of style, and a subtlety of vision that is gained by few writers of fi ction."-- The New York Times In this short novel, Joey Robinson, a thirty-five-year-old New Yorker, describes a visit he makes, with his second wife and eleven-year-old stepson, to the Pennsylvania farm where he grew up and where his aging mother now lives alone. For three days, a quartet of voices explores the air, making confessions, seeking alignments, quarreling, pleading, and pardoning. They are not entirely alone: ghosts (fathers, lovers, children) press upon them, as do phantoms from the near future (nurses, lawyers, land developers). Of the Farm concerns the places people choose to live their lives, and the strategies they use to stand their ground.