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Good Morning Revival [Japan Bonus Track] by Good Charlotte (CD, 2007)

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AU $24.99

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Condition:

Very good

Release Title: Good Morning Revival. Good Morning Revival (0:56). Artist: Good Charlotte. Year: 2007. Country: Japan. Style: Pop Rock, Punk. Condition: Very Good. All Black (4:19).

About this product

Product Identifiers

ProducerDon Gilmore

Record LabelSony Music Distribution (USA)

UPC4547366029154

eBay Product ID (ePID)23050205907

Product Key Features

Release Year2007

FormatCD

GenreRock

Run Time44 Mins 27 Seconds

ArtistGood Charlotte

Release TitleGood Morning Revival [Japan Bonus Track]

Additional Product Features

DistributionMSI Music Distribution

Country/Region of ManufactureUSA

Number of Discs1

ReviewsSpin (p.86) - 3 stars out of 5 -- "[I]t's Madden's search for love in the L.A. wasteland that gives REVIVAL a certain charm." Entertainment Weekly (p.70) - "[W]ith a high premium put on infectious choruses and razor-sharp melodic hooks." -- Grade: B- Kerrang (Magazine) (pp.46-47) - "They still have a knack for a mammoth chorus....Love is a major theme...and it's woven throughout the album like an insistent string, the thread holding it all together."

Additional informationContains 1 Bonus Track. Following the chart-topping pop punk of their first three albums, GOOD MORNING REVIVAL is to Good Charlotte what WARNING was to their obvious stylistic forebears, Green Day: an attempt to expand the stylistic confines of their music without losing sight of what their fans want to hear. GOOD MORNING REVIVAL isn't trying to capture critical favor, nor is it a self-important concept album or stylistic experiment. Instead, twin brothers Joel and Benji Madden incorporate new and different musical influences into their now familiar sound, and the brothers' lyrics feature a newfound maturity and personal viewpoint that was not always so obvious on their earlier albums. Indeed, the power ballad "Where Would We Be," a paean to Joel's break-up with his pop princess ex, Hilary Duff, is the most autobiographical song so far in the band's oeuvre. Elsewhere, the moody, pessimistic "The River" and the defiantly optimistic closer "March On" neatly define the album's emotional poles.

Number of Audio ChannelsStereo