About this product

Product Identifiers

Record LabelCrr, Cherry Red

UPC5013929470040

eBay Product ID (ePID)26051009785

Product Key Features

Release Year2017

FormatCD

GenreRock

ArtistLet the Electric Children Play: Underground Story

Release TitleLet the Electric Children Play: Underground Story of Transatlanticrecords

Dimensions

Item Height0.66 in

Item Weight0.34 lb

Item Length5.38 in

Item Width5.19 in

Additional Product Features

Number of Tracks39

Number of Discs3

Tracks1.1 We Can Swing Together - Alan Hull 1.2 II B.S. - Circus 1.3 Midsummer Night?S Happening - the Sallyangie 1.4 Light Flight - Pentangle 1.5 Billy the Monster - the Deviants 1.6 Paint It Black - Jody Grind 1.7 Norwegian Wood - Circus 1.8 Obadiah?S Grave - Alan Hull 1.9 Lucifer?S Cage - Gordon Giltrap 1.10 Once I Had a Sweetheart - Pentangle 1.11 Metamorphosis Explosion - the Deviants 1.12 Saturday Roundabout Sunday (Single Version) - the Humblebums 1.13 Makin? Time - Little Free Rock 1.14 Mona (A Fragment) - Mick Farren 1.15 Plastic Shit - Jody Grind 2.1 All in Your Mind - Stray 2.2 Born to Be Free - Marsupilami 2.3 We?Ve Had It - Jody Grind 2.4 Mice and Rats in the Loft - Jan Dukes de Grey 2.5 Homage to the God of Light - Peter Bardens 2.6 Around the World in 80 Days - Stray 2.7 Mendle - Mr. Fox 2.8 Prelude to the Arena - Marsupilami 2.9 Don?T Ever Give Up Trying - Unicorn 2.10 Reflection - Pentangle 2.11 Skin Valley Serenade - Skin Alley 3.1 Tear Down the Wall - Peter Bardens 3.2 Son of the Father - Stray 3.3 Don?T Count Me Out - Gerry Rafferty 3.4 Nick?S Seven - Skin Alley 3.5 Song from the 4th Era - Cmu 3.6 A Distant Thought, a Point of Light - Cmu 3.7 The Ungodly - Decameron 3.8 Fair Fortune?S Star - Carolanne Pegg 3.9 Move It (Single Version) - Stray 3.10 Shelter - Renia 3.11 Opening Move - Gryphon 3.12 Journey?S End - Decameron 3.13 Criminal World - Metro

NotesUK three CD set that tells the story of the so-called "underground" era of one of Britain's great independent record labels of the 1960s and 1970s, Transatlantic Records. In the heady atmosphere of the late 1960s, the sea change in British popular music spearheaded by the Beatles experimentation on the Sergeant Pepper album and swiftly followed by the likes of Cream, Pink Floyd, Traffic, Family, Procol Harum, Jethro Tull and a host of groups and musicians who followed in their footsteps led to the album being seen as the medium in which "serious" musicians would explore and develop their craft. The apparently disparate genres of blues, jazz, rock, folk and even world music were fused together by many diverse acts all of whom were eager to be regarded as progressive in their musical approach. The so-called "underground" audience eagerly consumed this music, which sat alongside the social changes that were also taking place. In the UK, the major labels established imprints such as Harvest, Vertigo and Deram to market music to this audience, inspired by the vision of independent labels such as Island Records. Another, smaller British independent label also swiftly tapped in to this new musical movement, Transatlantic Records. This proudly independent imprint, founded in 1961 by Nat Joseph, looked beyond it's initial folk, jazz and blues output to sign a distinctly quirky and diverse roster of "underground" acts. Between 1968 and 1976 Transatlantic explored all aspects of the progressive and "underground" scenes; from the heavy groups such as The Deviants, Jody Grind, Little Free Rock and Stray, to the acts on the fringes of folk and rock such as Pentangle, Mr Fox, Alan Hull, The Humblebums, Gryphon and Carolanne Pegg, to jazz rockers such as Circus and Marsupilami.