A Fever You Can't Sweat Out by Panic! at the Disco (Record, 2017)

InnerSleeve Music (720176)
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A Fever You Can't Sweat Out revealed the state of pop-punk/emo in 2005: it was hip to be self-aware. "Dear studio audience," Panic! at the Disco vocalist Brendon Urie quavers in "The Only Difference Between Martyrdom and Suicide Is Press Coverage.".

About this product

Product Identifiers

Record LabelFueled by Ramen, Fuel
UPC0075678667626
eBay Product ID (ePID)27046056095

Product Key Features

Release Year2017
FormatRecord
GenreRock
ArtistPanic! at the Disco
Release TitleA Fever You Can't Sweat Out

Dimensions

Item Height0.38 in
Item Weight0.76 lb
Item Length12.41 in
Item Width12.16 in

Additional Product Features

Number of Tracks13
Country/Region of ManufactureUnited States
TracksIntroduction, The Only Difference Between Martyrdom and Suicide Is Press Coverage, London Beckoned Songs About Money Written By Machines, Nails for Breakfast Tacks for Snacks, Camisado, Time to Dance, Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off, Intermission, But It's Better If You Do, I Write Sins Not Tragedies, I Constantly Thank God for Esteban, There's a Good Reason These Tables Are Numbered Honey You Just Haven't, Build God Then We'll Talk
Number of Discs1
NotesLimited vinyl LP pressing. A Fever You Can't Sweat Out is the debut studio album by Las Vegas-based alt-rock band Panic! At the Disco. Produced by Matt Squire, the album was released on September 27, 2005, on Decaydance and Fueled by Ramen. The group formed in Las Vegas in 2004 and began posting demos online, which caught the attention of Fall Out Boy bassist Pete Wentz. Wentz signed the group to his own imprint label, Decaydance, without them having ever performed live. The album was recorded on a small budget at SOMD! Studios in College Park, Maryland over several weeks in June 2005. The group had only graduated high school one month before. With lyrics written by lead guitarist/backing vocalist Ryan Ross, the record covers social issues and topics such as sanctity of marriage, adultery, mental health, alcoholism and prostitution are woven throughout the album. The album is divided into halves stylistically; the first half is primarily pop punk with elements of electronic, while the second employs more traditional instrumentation, with influences of baroque pop and swing.

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