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Bad [Special Edition Bonus Tracks] by Michael Jackson Siedah Garrett The Winans (CD, 1987)

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Edition: Special Album. Title: Bad. Format: CD. Release Date: 28/06/2009. Language: English. Record Label: Epic.

About this product

Product Identifiers

ProducerMichael Thomas Jackson; Michael Jackson; Quincy Jones

Record LabelEpic

UPC5099750442326

eBay Product ID (ePID)3050139512

Product Key Features

Release Year1987

FormatCD

GenreR&B & Soul

Run Time71 Mins 2 Seconds

StyleContemporary R&B

ArtistMichael Jackson, Siedah Garrett, The Winans

Release TitleBad [Special Edition Bonus Tracks]

Additional Product Features

Country/Region of ManufactureUSA

Number of Discs1

EngineerCraig Johnson; Gary Olazabal; Humberto Gatica; Claudio Ordenes; Ken Caillat; Matt Forger; Bill Bottrell; Brian Malouf; Bruce Swedien

ReviewsQ (Magazine) (p.126) - "[W]ith Jackson still intent on pushing the limits, from the pulsating title track to 'Man In The Mirror''s baroque gospel finale....Compelling...' Paste (magazine) - "[With the] classic pop hit 'The Way You Make Me Feel' and perhaps the most emotional track of his career 'Man in the Mirror,' about looking to yourself for improvement and making positive changes from within."

Additional informationPersonnel includes: Michael Jackson (vocals); Stevie Wonder (vocals, keyboards); The Winans (vocals); David Williams, Eric Gale, Steve Stevens, Bill Bottrell, Dann Huff, Michael Landau, Paul Jackson Jr. (guitar); Larry Williams (saxophone, keyboards, programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, keyboards); Kevin Maloney (piano); Jimmy Smith (Hammond organ); Christopher Currell, Michael Boddicker, David Paich, Greg Phillinganes, Rhett Lawrence, Glen Ballard, Randy Kerber, Denny Jaeger (keyboards); Nathan East (bass); Ollie E. Brown (drums, percussion); John Robinson, Ndugu Chancler, Miko Brando, Humberto Gatica, Bruce Swedien (drums); Paulinho da Costa (percussion); Douglas Getschal, Cornelius Mims, Eric Persing, Steve Porcaro, Casey Young (programming). Recorded at Westlake Audio Studios, Los Angeles, California. Originally released on Epic (40600). Digitally remastered by Bernie Grundman (Bernie Grundman Mastering, Los Angeles, California). Personnel: Michael Jackson (vocals, claves, percussion, background vocals); Stevie Wonder (vocals, synthesizer); Michael Thomas Jackson (vocals, percussion, background vocals); Siedah Garrett (vocals, background vocals); Letta Mbulu (chant); Christopher Currell (guitar, keyboards, Synclavier, rub-board); Bill Bottrell (guitar, drums); Dann Huff, Eric Gale , Michael Landau, Paul Jackson, Jr. , Steve Stevens , David E. Williams (guitar); Larry Andrew Williams (saxophone, synthesizer, drum programming); Larry Williams (saxophone, drum programming); Kim Hutchcroft (saxophone); Gary Grant, Jerry Hey (trumpet); John Barnes (piano, synthesizer); Greg Phillinganes (keyboards, synthesizer); David Paich, Glen Ballard, Michael Boddicker, Randy Waldman, Rhett Lawrence, Randy Kerber (synthesizer); Casey Young (Synclavier); Ollie E. Brown (drums, percussion); John "J.R." Robinson , Humberto Gatica, Miko Brando, John "4 Daddman" Robinson, Leon "Ndugu" Chancler, Bruce Swedien (drums); Paulinho Da Costa (percussion); Cornelius Mims (drum programming); Perry Morgan, Linda "Peaches" Green, Francine Howard, Geary Faggett, Voncielle Faggett, Jean Johnson , Alfie Silas, Marvin Winans, Maxi Anderson, Michael Winans, Andraé Crouch, Andrew Gouché, Ron Winans, Ronald Winans, Rose Banks, Sandra Crouch, Carvin Winans (background vocals). Audio Mixer: Bruce Swedien. Audio Remasterer: Bernie Grundman. Recording information: Westlake Audio Studio, Los Angeles, CA (01/05/1987-07/09/1987). Editor: Stuart Brawley. Photographers: Matthew Rolston; Greg Gorman; Harrison Funk; Sam Emerson. Arranger: Caiphus Semenya. The downside to a success like Thriller is that it's nearly impossible to follow, but Michael Jackson approached Bad much the same way he approached Thriller -- take the basic formula of the predecessor, expand it slightly, and move it outward. This meant that he moved deeper into hard rock, deeper into schmaltzy adult contemporary, deeper into hard dance -- essentially taking each por